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Dramaturg(i)es du conflit israélo-palestinien en France : entre assignations identitaires et résistances

Abstract : In a limited scope, academic critiques have been written on recent productions on the theme of the Israeli-Palestinian conflict, still there exists no comprehensive study on the subject. Additionally, several studies have focused on clarifying the relationship between theatre and politics since the early 2000s. The thesis aims to expand on this line of thought, deriving from cultural transfers of Israeli and Palestinian works to France, from the 1970s to the present day.The methodology implemented articulates theatre historiography, history of theatrical performances and the study of the cultural production field in diachrony. The methodology allowed for the highlighting of the persistence of Orientalism, reinforced by the historic phase-shift between France and Israel and the unequal development between France and Palestine. The theatrical performance can either offer a space of resistance to the identity assignements suffered by artists from Israel and Palestine, or can reproduce domination relations that are legible through the degree of legitimacy of the theatre performances and performers. The thesis evokes the complexity of relations of dominance that are not reducible to racism or a "clash of civilizations" but are a cultural hegemony maintained by theatrical and academic institutions, and drama reviewer. These instances of legitimation are analyzed here as producers of an ideological discourse, the study of which challenges the posture of neutrality that accompanies the autonomy of art.
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Submitted on : Thursday, June 11, 2020 - 1:04:21 AM
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Emmanuelle Thiébot. Dramaturg(i)es du conflit israélo-palestinien en France : entre assignations identitaires et résistances. Art et histoire de l'art. Normandie Université, 2019. Français. ⟨NNT : 2019NORMC035⟩. ⟨tel-02864282v2⟩

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