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Theses

Aldo Crommelynck (1931 - 2008) : un imprimeur de gravures entre Paris et New-York

Abstract : Aldo Crommelynck (1931-2008) run the Crommelynck studio, in Paris from 1956 to 1986, with his brother Piero, and then worked alone between Paris and New York in partnership with Pace Editions until 1998. His collaboration with modem painters, including Picasso in Mougins, preceded his international career with forty or so contemporary artists. His mastery of etching well integrated into the artistic world of Paris, London and New York, in a context profitable to the art market. His name is associated with the revival of printmaking in the United States that coincided with the taste of the artists coming from Pop Art for handmade creation and for the representation of daily life. Others, who came afterwards, impregnated with Minimalism or Neo-expressionism, saw him as the repository of a certain etching craft identified with Paris. This thesis intends to determine what was the « Crommerlynck style » in all its dimensions.
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Emmanuelle Aynard. Aldo Crommelynck (1931 - 2008) : un imprimeur de gravures entre Paris et New-York. Art et histoire de l'art. Université Panthéon-Sorbonne - Paris I, 2017. Français. ⟨NNT : 2017PA01H029⟩. ⟨tel-01976689v2⟩

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