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La représentation des genres comiques et tragiques dans les écritures surréalistes entre 1910 et 1940

Abstract : Starting 1919, the surrealistic writings and representations offer new visions of reality, dependent from an original perception. Moving away from academism and imitation, they explore the unconscious, open by a psychanalytic Freudian field in order to express hidden thoughts of their consciousness. The result of their experimentations and of their semantic games allow leeway for absurd representations where objects and their definitions do not coincide anymore. It is from this dissociation between the idea of the object and its representation that comic and tragic dimensions are born, from the real and the unreal. Surrealism transcends and transgresses alternatively the norms commonly adopted by society. It is from this subversion that new images appear. Surrealistic poetry reveals an interior reality that is created by the imagination and by an exterior reality shaped by unconscious thoughts. Thus an imbalance arises and semiotic hints allow one to discover the real nature of each representation. Sometimes burlesque sometimes sublime, the representation of life and death takes on a significance still unknown by the grand public. By entering the maze of the psychanalytic analysis, the surrealists created a pathway and emancipated themselves from previous artistic movements.
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Submitted on : Tuesday, April 10, 2018 - 1:42:09 PM
Last modification on : Monday, October 12, 2020 - 10:28:38 AM


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  • HAL Id : tel-01727010, version 2



Julien Remy. La représentation des genres comiques et tragiques dans les écritures surréalistes entre 1910 et 1940. Littératures. Université Côte d'Azur, 2017. Français. ⟨NNT : 2017AZUR2036⟩. ⟨tel-01727010v2⟩



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