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Al di qua del quadro, la strada : Attraversamenti urbani e arti del quotidiano

Abstract : The issue and the motivation of this research is to give a theoretical dignity to all these practices that claim an appropriation of the urban space, even out of its semiotic meaning. In consonance with Michel De Certeau approach, even the concept of art has been analyzed as an everyday form of expression. The street art has been examined either as a space-crossing practice either as a style of spatialization: the altogether product is a space-effect which underlies a certain effect of presence. The goal of this work is to obtain a portrait of the city from a series of creative micro-narrations that illustrate it, as, for example, Banksy’s intervention on the West Bank Barrier in Palestine, the inscriptions of the Brazilian pixadores, Parkour tracers’ city crossings, the portraits posted up in the city by JR. The street art is a possible way of narration of the city, as a tattoo on the skin, it tells the hard moments, celebrates the identification elements, recollects the history (even for the far cities) with a continuous dialogue between itself and the Other. From a methodological point of view, we started from case analyses to question certain semiotic issues with the help of Eric Landowski’s thoughts about interactions and lifestyles, Jacques Fontanille’s ones about life practices and forms, Francesco Marsciani’s reflections on ethno-semiotics. The analysis of the phenomenon has been enriched by the contribution of other social sciences which had already pondered on the concept of space and its artistic representation, anthropology among the others.
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Submitted on : Monday, February 15, 2016 - 3:58:06 PM
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Silvia Viti. Al di qua del quadro, la strada : Attraversamenti urbani e arti del quotidiano. Linguistics. Université de Limoges, 2015. Italian. ⟨NNT : 2015LIMO0085⟩. ⟨tel-01253002⟩



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