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O em-corpo de analista : Tato e Ato analítico

Abstract : The present research is troubled by the silence about the sensitive field in an analytical experience. With this in mind, we propose to reflect about the function of the presence of bodies in the analytical act, articulating the moment of the act to the resonance effects of the voice on the body. We ask, therefore, if the analytic act would be invoked by the body's sensitivity to the voice in transit in an analysis. In order to try to answer this question, we highlight the analytical act and the body as referential concepts. We believe that it is important to keep the body as one of these bases and not just the analytical act, as it is precisely this that offers us the perspectives of being affected and being touched so relevant to this study. The research is theoretical-reflective, which means that an analysis work was carried out on the bibliographical base in which the productions that encompass the central concepts to achieve the objectives of this discussion were tracked, namely: analytical act, body and voice. Other concepts worked through the central concepts are: transference, subject supposed to know, analyst's desire, knowledge/truth; lalingue, drive; object a, resonance, parlêtre and the Moebian topology. We have as a starting point that the direction of the treatment is aimed at emptying the transference of knowledge, with the analytical act and meeting between bodies directly involved in this direction. The act articulates, therefore, with the politics inherent to the principles of power that permeate the handling of transference, and the body is linked to an aesthetic that does not cross consciousness, but provokes effects, notably by escaping rationalization. Thus, we propose to articulate topologically body, voice and analytic act, refusing a binary logic that places analyst on one side and analysand on the other, to delimit our intent we coined the expression em-corpo de analista. We will speak, therefore, of a body touched by the effects of the real conveyed by the voice, invoking there, in action, the irruption of what has never been seen and heard, an effect of fall and creation in the signifying chain. Finally, we conclude that interpretation and analytic act do not overlap and that there must be the presence of the em-corpo de analista for the act to come from the touch. In the end, we understand that analysis is an experience that is political, ethical and aesthetic at the same time, its power being precisely in the knotting of these three fields. We are, in these terms, called to sustain a different sensibility, one that consents to the resonance of reality.
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Submitted on : Tuesday, November 16, 2021 - 3:04:13 PM
Last modification on : Thursday, August 4, 2022 - 4:59:55 PM
Long-term archiving on: : Thursday, February 17, 2022 - 7:54:40 PM


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  • HAL Id : tel-03431137, version 1



Rafaela Brandao Alves. O em-corpo de analista : Tato e Ato analítico. Psychology. Université Côte d'Azur; Universidade de Brasília, 2021. Portuguese. ⟨NNT : 2021COAZ2017⟩. ⟨tel-03431137⟩



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