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. , Model of voice perception

. , Temporal voice areas (TVAs)

. , Three examples of auditory cues for emotional expression as implemented in DAVID

. .. , The three-stage model of emotional voice processing

.. .. Screenshot,

, Behavioural evidence for a sensory processing advantage to the self-body 18

. , Pathways for self-voice perception

. , Schematic presentation of the creation of the stimulus material for Study 1 using emotional voice transformations

. , Differences between the implicit and explicit task depending on speaker identity

. , Response accuracies in the implicit task

. , Response accuracies in the explicit task

. .. The-mismatch-negativity,

. , Schematic representation of the application of DAVID in the mismatch negativity study

, Acoustic content of two representative stimuli used in Study 3, p.38

. , Schematic representation of the oddball sequences for the self (above) and other (below) conditions

. , Grand-average ERPs to the self (solid lines) and other (dashed lines) standard and deviant stimuli

.. .. Difference,

. , Schematic representation of the use of DAVID to apply parametrically controlled changes of pitch on running speech

. , The visual other-race effect

. , Schematic representation of the use of DAVID to create the emotional transformations in Study 5

. , Unbiased hit rates for each emotion category

, Schematic representation of the use of DAVID to apply parametrically controlled changes of pitch in running speech in Study 6, p.68

, The effect of language familiarity on accuracies, p.70

. , The effect of speaker and listener sex

. .. Example-of-facsgen,

. , An overview of the several ways voice transformations were used in this thesis

. , Emotion recogntion raw hit rates

?. .. What,

.. .. Recorded,

.. .. Happy,

, Cohen's d and probability of inferiority (POI) of the naturalness ratings for each emotional transformation compared to natural emotional voices, p.86

. , Overview of experimental paradigms

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