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Esthétique des clichés : épistémologie, généalogie et usages cinématographiques aberrants d’un phénomène normatif

Abstract : This work examines the conditions of possibility of an aesthetic of clichés. The approach is mainly based on three directions: a commentary of Gilles Deleuze and his use of the notion cliché; an epistemological and genealogical investigation combining the contributions of literary studies and philosophy from an aesthetic point of view; an analysis of American films by Joe Dante, Brian de Palma, David Lynch, John Carpenter and Paul Verhoeven. Clichés are generally perceived, reflected and judged in a strictly depreciative way as a failure of the discourse or as failure for the works of art, a failure that refers to alienation and anesthesia. Identifying the paradigm of hostility that prevails in their apprehension, as much as the ordinary model of recognition and designation of the phenomenon allows, on the contrary, to glimpse an aporia of clichés between normativity and aberration. The analysis of the aesthetic device of certain films, which problematizes the relationship between bodies, brain and images while manipulating the clichés without being judged as such, allows to consider another way of feeling the clichés and other types of clichés.
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Submitted on : Wednesday, May 20, 2020 - 12:36:30 PM
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Léo Pinguet. Esthétique des clichés : épistémologie, généalogie et usages cinématographiques aberrants d’un phénomène normatif. Art et histoire de l'art. Université Panthéon-Sorbonne - Paris I, 2020. Français. ⟨NNT : 2020PA01H301⟩. ⟨tel-02613746⟩

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