H. H. Arnason, A History of Modern Art: Painting, Sculpture, Architecture, 2004.

J. P. Hodin, Contemporary Art; Its Definition and Classification, College Art Journal, vol.10, pp.337-354, 1951.

K. L. Georgi, James Jackson Jarves's Art Criticism: Aesthetic Classifications and Historiographie Consequences, Journal of American Studies, vol.42, pp.215-235, 2008.

F. Morin, P. Apinan, M. Ramírez, T. Carmen, and . Caroline,

I. and C. Valerie, Beyond Boundaries: Rethinking Contemporary Art Exhibitions, Art Journal, vol.59, pp.4-21, 2000.

E. Benson, The American Magazine of Art, vol.28, pp.70-77, 1935.

T. Smith, The State of Art History: Contemporary Art, The Art Bulletin, vol.92, pp.366-83, 2010.

F. Popper, The Place of High-Technology Art in the Contemporary Art Scene, Leonardo, vol.26, pp.65-69, 1993.

, The Contemporary Art Society Centenary, The Burlington Magazine, vol.152, p.211, 2010.

J. S. Plaut, Modern Art--1950, College Art Journal, vol.9, issue.3, pp.338-340, 1950.

J. W. Beatty, The Modern Art Movement, The North American Review, vol.219, issue.819, pp.251-264, 1924.

M. J. Gregor, Baumgarten's "Aesthetica, The Review of Metaphysics, vol.37, pp.357-385, 1983.

P. Guyer, The Stanford Encyclopedia of Philosophy

I. Kant, Critique of the Power of Judgment, 2009.

C. Bell, N. Art, and . York, , pp.3-49, 1914.

D. Bailey, Significant Form Theory of Art: C Bell. Stuckismwales, n.d. Web

G. Dickie, What is Art? An Institutional Analysis, Aesthetics: A Comprehensive Anthology, pp.426-438, 2007.

L. Torres and M. K. Marder, What Art Is: The Esthetic Theory of Ayn Rand, 2000.

M. C. Beardsley, The Definitions of the Arts, The Journal of Aesthetics and Art Criticism, vol.20, pp.175-187, 1961.

S. Davies, Definitions of art, Routledge Companion to Aesthetics, Edition: 3rd, Publisher: Routledge, pp.213-222

S. Davies, Functional and Procedural Definitions of Art, Journal of Aesthetic Education, vol.24, issue.2, pp.99-106, 1990.

S. Davies, Defining Art and Artworlds, Journal of Aesthetics and Art Criticism, vol.73, pp.375-384, 2015.

G. F. Todd, Art and the Concept of Art, Philosophy and Phenomenological Research, vol.44, issue.2, pp.255-270, 1983.

H. Khatchadourian and B. Donald, The Concept of Art, Leonardo, vol.7, issue.2, pp.189-91, 1974.

F. D'agostino, Leibniz on Compossibility and Relational Predicates, The Philosophical Quarterly, vol.26, issue.103, pp.125-138, 1950.

J. Margolis, The Importance of Being Earnest about the Definition and Metaphysics of Art, The Journal of Aesthetics and Art Criticism, vol.68, issue.3, pp.215-223, 2010.

, Debate between essentialists and anti-essentialists, pp.88-95

A. C. Danto, The End of Art: A Philosophical Defense, History and Theory, vol.37, pp.127-143, 1998.

L. K. Zerby, A Reconsideration of the Role of Theory in Aesthetics

M. Weitz, The Journal of Aesthetics and Art Criticism, vol.16, pp.253-255, 1957.

W. B. Rev, of The Language of Art and Art Cristicism, by Joseph Margolis. The Review of Metaphysics, vol.20, pp.373-373, 1966.

, The theories of definition

A. Pap, Theory of Definition, Philosophy of Science, vol.31, issue.1, pp.49-54, 1964.

A. Shearman, Definition in Symbolic Logic, Mind, New Series, vol.19, 1910.

, About "family resemblance

L. Wittgenstein and G. E. Anscombe, Philosophical Investigations: The German Text, with a Revised English Translation, 2001.

L. Pompa, Family Resemblance: A Reply, vol.18, pp.347-382, 1968.

R. J. Sclafani, Wittgenstein, and Open-textured Concepts, vol.29, pp.333-341, 1971.

B. Suits, What Is a Game?, Philosophy of Science, vol.34, pp.148-156, 1967.

M. Mandelbaum, Family Resemblances and Generalization Concerning the Arts, American Philosophical Quarterly, vol.2, issue.3, pp.219-228, 1965.

J. E. Llewelyn, Family Resemblance, The Philosophical Quarterly, vol.18, pp.344-346, 1950.

H. J. Gert, Family Resemblances and Criteria, Synthese, vol.105, 1995.

H. Andersen, Kuhn's Account of Family Resemblance: A Solution to the Problem of Wide-open Texture, Erkenntnis, vol.52, pp.313-337, 1975.

A. Julien, On Definitions in Philosophy, We Love Philosophy. N.p, 2012.

C. Mcginn, Truth by Analysis: Games, Names, and Philosophy, 2012.

, Danto's publications

A. C. Danto, The Transfiguration of the Commonplace: a Philosophy of Art

A. C. Danto, What Art Is, 2014.

A. C. Danto, The End of Art: A Philosophical Defense, History and Theory, vol.37, pp.127-143, 1998.

A. Danto, The Artworld, The Journal of Philosophy, vol.61, issue.19, pp.571-584, 1964.

A. C. Danto, Artworks and Real Things, Theoria, vol.39, issue.1-3, pp.1-17, 2008.

A. C. Danto, The Transfiguration of the Commonplace, The Journal of Aesthetics and Art Criticism, vol.33, issue.2, pp.139-148, 1974.

A. C. Danto, A Future for Aesthetics, The Journal of Aesthetics and Art Criticism, vol.51, issue.2, pp.271-277, 1993.

A. C. Danto, The Philosophical Disenfranchisement of Art, 2005.

A. C. Danto, The Philosophical Disenfranchisement of Art, Grand Street, vol.4, issue.3, pp.171-189, 1985.

A. C. Danto, Basic Actions, American Philosophical Quarterly, vol.2, issue.2, pp.141-148, 1965.

A. Danto, The Last Work of Art: Artworks and Real Things, Aesthetics: A Critical Anthology, pp.551-562, 1977.

, Goodman's publications

N. Goodman, Languages of Art: An Approach to a Theory of Symbols, 2009.

N. Goodman, On What Should Not Be Said about Representation, The Journal of Aesthetics and Art Criticism, vol.46, issue.3, pp.419-419, 1988.

N. Goodman, About, vol.70, pp.1-24, 1961.

S. Davies, Definitions of Art, 2000.

S. Davies, Functional and Procedural Definitions of Art, Journal of Aesthetic Education, vol.24, issue.2, pp.99-106, 1990.

S. Davies, Defining Art and Artworlds, Journal of Aesthetics and Art Criticism, vol.73, 2015.

F. Orton, Action, Revolution and Painting, Oxford Art Journal, vol.14, issue.2, pp.3-17, 1991.

H. J. Silverman, Artistic Creation and Human Action, Mosaic: A Journal for the Interdisciplinary Study of Literature, vol.8, issue.1, pp.157-164, 1974.

D. Smith and . Woodruff, Consciousness in Action, Synthese, vol.90, issue.1, pp.119-143, 1992.

K. Setiya, Explaining Action, The Philosophical Review, vol.112, issue.3, pp.339-393, 2003.

M. E. Bratman, Shared Intention, Ethics, vol.104, issue.1, pp.97-113, 1993.

L. Bordonaba, Arthur C. Danto Ou La Dualité Des Mondes, La Vie Des Idées

J. R. Searle, Intentionality: An Essay in the Philosophy of Mind, 1983.

A. R. Mele, Intention, Belief, and Intentional Action, American Philosophical Quarterly, vol.26, issue.1, pp.19-30, 1989.

, The Most Interesting Installation Arts around World, Zhihu, p.18

P. Scaruffi, When an Artificial Intelligence Makes Art, Is It Still Art, LinkedIn SlideShare, 2016.

A. Mordvintsev, Inceptionism: Going Deeper into Neural Networks, Google AI Blog, Google, 2015.

X. Yan, An interview of Guo Haiping: Art Flies into the Psychiatric Hospital, Xinjing Journal, 2015.

E. Auerbach, Vico and Aesthetic Historism, The Journal of Aesthetics and Art Criticism, vol.8, pp.110-118, 1949.

A. Megill, Aesthetic Theory and Historical Consciousness in the Eighteenth Century, History and Theory, vol.17, pp.29-62, 1978.

A. Ford, Action and Generality, Essays on Anscombe's Intention, pp.76-104, 2011.

B. Streumer, Are Normative Properties Descriptive Properties?, Philosophical Studies: An International Journal for Philosophy in the Analytic Tradition, vol.154, pp.325-348, 2011.

L. Meckler, Normative and Descriptive Expressions, The Journal of Philosophy, vol.50, pp.577-583, 1953.

F. Saussure, C. De, . F. Bally, and . De-saussure, Course in general linguistics, 1983.

H. Osborn, Routledge and Kegan Paul Ltd, p.1955

F. Sibley, Approach to Aesthetics: Collected Papers on Philosophical Aesthetics, 2003.

P. Crowther, Defining Art, Creating the Canon: Artistic Value in an Era of Doubt, 2007.

B. E. Jessup, The Comparative Esthetic Judgment, Philosophy and Phenomenological Research, vol.14, issue.4, pp.546-552, 1954.

A. Stroll, The Journal of Aesthetics and Art Criticism, The Journal of Aesthetics and Art Criticism, vol.14, issue.1, pp.127-129, 1955.

M. H. Abrams, Art-as-Such: The Sociology of Modern Aesthetics, Bulletin of the American Academy of Arts and Sciences, vol.38, issue.6, pp.8-33, 1985.

D. A. Laird, What Can You Do With Your Nose?, The Scientific Monthly, vol.41, issue.2, pp.126-130, 1935.

C. Van-campen and J. Ross, The Proust Effect: the Senses as Doorways to Lost Memories, 2014.

, The Most Interesting Installation Arts around the World, Zhihu, p.18

P. Scaruffi, When an Artificial Intelligence Makes Art, Is It Still Art, LinkedIn SlideShare, 2016.

A. Mordvintsev, Inceptionism: Going Deeper into Neural Networks, Google AI Blog, Google, 2015.

X. Yan, An interview of Guo Haiping: Art Flies into the Psychiatric Hospital, Xinjing Journal, 2015.