L’équipe de cinéma : genèse et portée de la qualification du travail dans la production cinématographique en France, 1895 - 2018

Abstract : This thesis intends to show the construction of professional qualifications in movie teams in France, over a long period. These groups of workers are observed through the recurrent question of the professional quality of their members, such as the director, the cinematographer, the production manager, and their auxiliary technicians. This quality includes several dimensions, such as the skills, the remuneration or the representations attached to it. In doing so, the inquiry focuses on the recognition and articulation of these dimensions: how is qualification defined and recognized? By whom and according to which determinants? How does the qualification evolve over time? What relationship is established between the qualification and the other sectoral institutions? Through a sociohistorical approach, the thesis shows that the qualification is constituted as a recurring challenge, involving the access to employment, the definition of hierarchies and professional perimeters, mobility in the career, etc. At the same time, the thesis shows how qualification is building a broader claim to the future of the industry.
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Samuel Zarka. L’équipe de cinéma : genèse et portée de la qualification du travail dans la production cinématographique en France, 1895 - 2018. Sociologie. Conservatoire national des arts et metiers - CNAM, 2019. Français. ⟨NNT : 2019CNAM1256⟩. ⟨tel-02447656⟩

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