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, 138 3.3 The druid, the fool and the king
, Lud's town'. London. According to the chroniclers, the British capital, Troynovant, was so extensively improved by Cymbeline's grandfather, King Lud, that it was renamed Caer Lud, or Lud's town, which latter form they alleged (quite erroneously) became corrupted to London
, , p.76, 1955.
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, James VI and I personified his two kingdoms as a bride and the king of the island as her spouse: 'What God hath conjoined then, let no man separate. I am the husband, and all the whole Isle is my lawfull Wife, citing The Politicals Works of James I, p.29, 1976.
, For James, this union of his kingdoms was not merely a political act: he saw it as a union 'in my person' and a 'Union which is made in my blood'. Anyone 'that impugneth them [the two kingdoms] doth but endeavour to separate that which God hath put together'. In the 'sacred conjunction of wedlock' God had given him cause 'to embrace them both with equal and indifferent love'. Indeed, 'God and Nature' together made this union 'fastened and bound up by the wedding Ring of Astrea, citing The Politicals Works of James I, vol.32, p.273, 1918.
, Enright goes on to note that together with Welsh ancestry from Henry VII Tudor (Welsh:Tudur), James claimed to be of Irish descent, when he wrote that he was a "monarch sprung of Ferguse race, Tales of sovereignty were also told in Scotland, p.69, 1958.
, Enright develops the narrative of Lughaid Laighe as well as the two Medbs as goddesses of sovereignty: Medb Cruachna and Medb Lethderg, and he notes that the concept of the transformation of the hag travelled from Ireland to England, pp.32-33, 1976.
, fire (or sun) and water -or two or three of them, 1970.
, Lear's torment is not openly revealed as coming from the absence of a queen, but his infliction, his 'greater malady' (3.4.8) is called 'the mother': "O, how this mother swells up toward my heart! / Hysterica passio, down thou climbing sorrow, / Thy element's below" (2.2.246-248). The note in KL reads: "a disease mainly of women [?] that arose from the womb and took them 'with choaking in the throat'. It was called 'Passio Hysterica', or, in English, the mother, or the suffocation of the mother, p.30, 2014.
, Maybe it was his guarantees to the Leinstermen, the Sun and Wind, that killed him', says A.U. Bórama gives a few words of explanation of a death by the Elements: 'the earth to swallow him up, the sun to burn him, and the wind to depart from him, citing The Annals of Ulster and Bórama), p.10, 1970.
, according to ancient Irish mythology, a special form of ritual killing was reserved for kings. It was referred to as a 'threefold death' and involved a combination of a number of methods of killing including hanging, strangulation, drowning, poisoning and various types of wounding by axe, sword or bludgeon, p.10, 2014.
, Guyonvarc'h explains, p.401, 1986.
, Maclean adds that The Children of Lir was "once very popular" (ibid.) and that it survived in Ireland up to the end of the 20 th century at least; one of the most popular versions was that of
, This is how the story develops according to Maclean's retelling: In a conflict with the Milesians, the Tuatha de Danann were defeated, and found it necessary to deliberate on the policy they must pursue and the king they should elect. Various candidates were eligible, but Bodhbha Dearg was ultimately chosen. In high dudgeon, Lir, who sought the exalted position for himself, 1993.
, The Tragic Fate of the Children of Ler, The Tragedy of the Children of Ler, since translations for Oidheadh or aided are a) violent death, b) an act of killing and c) In a more general sense an unpleasant fate, a plight. See the Electronic Dictionary of Irish Language, such as The Violent Death of the Children of Ler
, The Great Torc, Snettisham, buried 100 B.C., British Museum, London. Photograph CSL The Winchester Hoard, 75-25 BC. British Museum, London. Photograph CSL. 'The youthful and precocious Merlin reads his prophecies to Vortigern', from Geoffrey of Monmouth's Prophetia Merlini, MS Cotton Claudius B VII f.224, 13 th Century, The Six Swans, p.1493
, Robert Dudley, Earl of Leicester, favourite of Queen Elizabeth I, and great-great-great-great grandson of Richard Beauchamp, is known to have used the combined device of the bear and the ragged staff frequently as a badge and seal and as the crest on his coat of arms, the emblem of the Beaumont and Beauchamp families
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