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Theses

Le paradigme du marché de l'art à Paris sous l'Occupation 1940-1945

Abstract : The euphoria of the art market under the Nazi Occupation is also a reflection of an influx of goods resulting from the artistic spoliations of the Jewish community along with any opponent of the Third Reich. The main concern of this thesis deliberately places itself on this question. It proposes an analysis of the paradigms of an art market during a war period under the control of a collaborationist State.
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Submitted on : Monday, January 6, 2020 - 12:24:14 PM
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Emmanuelle Polack. Le paradigme du marché de l'art à Paris sous l'Occupation 1940-1945. Art et histoire de l'art. Université Panthéon-Sorbonne - Paris I, 2017. Français. ⟨NNT : 2017PA01H043⟩. ⟨tel-02426187v2⟩

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