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La femme du Midi dans les nouvelles de Stendhal et Mérimée ˸ nature, caractère et passions

Abstract : Studies about female characters in Stendhal’s and Mérimée’s works are in no doubt numerous. However, the aim of our work is to highlight the relationship between these authors and the theories that prevailed from the eighteenth century onwards. We refer in particular to both the four temperaments theory and the climate the theory and their influence on the creation of female characters, protagonists in the stories we chose for our corpus: the Chroniques italiennes of Stendhal and the shorts stories La Vénus d’Ille, Colomba and Carmen of Mérimée. Our purpose is to unveil a new aspect of the female problematic by analysing Southern Europe woman human type observed from the perspective of the influence of the above-mentioned theories. We also linked the form chosen by the two writers (short story, little novel) with the themes they address and the effect they want to produce on the reader. To which extent is the short story type contributing to the effect of violence supposed to be produced by the depiction of the South? Short stories serve the efficiency of a purpose at the same time aesthetic, ethnological and ethical. This study consists of three parts. First of all, we examine the the evolution of both four temperaments theory and climate theory, as well as the eighteenth, beginning of the nineteenth century historical and cultural background which also influences Stendhal and Mérimée literary creation. Secondly, we reflect upon Stendhal’s and Mérimée’s poetics in relation to short stories. Finally, we analyse the female characters in relation to the preliminary studies previously mentioned.
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Submitted on : Wednesday, October 23, 2019 - 5:13:43 PM
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Concetta Angelone. La femme du Midi dans les nouvelles de Stendhal et Mérimée ˸ nature, caractère et passions. Littératures. Université Sorbonne Paris Cité, 2019. Français. ⟨NNT : 2019USPCA055⟩. ⟨tel-02329883⟩



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