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Creativity-in-action, Arrangements and Affects in the Creative Industries

Abstract : This PhD departs from the research literature that underlines the on-going debate arising in creative companies, between art/creative priorities on the one hand and economic/business interests on the other hand. We wonder how actors involved into the creative process deal with economic and rationalization constraints. Through an in-depth, qualitative study in fashion industry -interviews and ethnographic work, we investigate empirically the daily practices of creative actors. First, and notably through Michel de Certeau's work, we reveal the various tactics and arrangements that they develop towards such constraints, as a form of action that plays an important role in creative organizations. This form of action we call creative fuzziness maintains a necessary ambiguity around creative work. Second, we underline the socio-material and affective forces that inherently constitute creative practices, and how much such forces weigh in the economic negotiation. We then suggest the concept of creativity-in-action, an embodied-material and affective way of acting creative, within creative industries.
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  • HAL Id : tel-02300841, version 1



Margot Leclair. Creativity-in-action, Arrangements and Affects in the Creative Industries. Business administration. Université Paris sciences et lettres, 2017. English. ⟨NNT : 2017PSLED075⟩. ⟨tel-02300841⟩



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