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Ecriture du son, du temps et de l'espace dans l'interaction entre instruments et dispositifs numériques synchrones

Abstract : This research project aims to study the contemporary integration, in the composition and performance, of technological and artistic tools corresponding to the state of the art in terms of real-time interaction between instrumental production, digital sound production and production of spatio-temporal forms in the listening space. In particular, we study how this integration can in turn constitute a new modality of writing in which a coherent writing of sound, a writing of time and a writing of space informed by technology do merge together in a coherent way.Computer paradigms for time and interaction management, synchronization tools, sound and gestural flow analysis, parameter control from instrumental sound, research on the issue of instrumental timbre and its digital descriptors, and interpreter-computer interaction are key elements of this research and creation work.We focus on real-time interaction with smart computer devices in a particularly virtuoso writing with specific aspects of temporal and spatial construction, this hybrid situation in turn influencing the nature of the writing itself. The various themes relating to this exploration, such as the writing of sound, time and space, are the starting point for declining and developing, according to the nature of the various productions envisaged, the possible links with other artistic disciplines.
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Submitted on : Friday, August 23, 2019 - 3:55:15 PM
Last modification on : Wednesday, November 17, 2021 - 12:33:36 PM
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  • HAL Id : tel-02270028, version 1



Lara Morciano. Ecriture du son, du temps et de l'espace dans l'interaction entre instruments et dispositifs numériques synchrones. Art et histoire de l'art. Université Paris sciences et lettres, 2018. Français. ⟨NNT : 2018PSLET038⟩. ⟨tel-02270028⟩



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