L' au(c)torité de l'artiste et ses paradoxes : tentative de relecture historique, critique et poïétique du statut de l'artiste

Abstract : The initial task of this thesis consisted in considering the artist mainly as an author. As for the author, this led us to suggest that his death, once announced, required to think of his resurrection from other criteria and conceptual tools than those which made it possible to bury him. Having established, on the one hand, that authorship defines the intrinsic status of the artist, and put forward, on the other hand, a necessary historical reminder in order to encompass the conditions of its emergence, we attempted to clear up (in the sense of displaying interactions and leaving a clearance between) the elements which structure the artistic phenomenon, its doctrines and related discourses. We sought to uncover, in this unadjusted space full of paradoxes and contradictions, the place of a possible redefinition of the artist-author, built on a rationality broader than that of a mere causality.
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Submitted on : Tuesday, July 16, 2019 - 1:02:05 PM
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Frédéric Guzda-Rivière. L' au(c)torité de l'artiste et ses paradoxes : tentative de relecture historique, critique et poïétique du statut de l'artiste. Art et histoire de l'art. Université Panthéon-Sorbonne - Paris I, 2018. Français. ⟨NNT : 2018PA01H303⟩. ⟨tel-02185017⟩

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