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Reversal : le partage de la parole comme expérience sensible, esthétique, et politique

Abstract : Artistic interventions within organizations meet the issue of their political stance and their critical ability. Can the art intervention foster a humanization of the organization and lower the arbitrary and authoritarian regime? My own experiments through the mean of a discussion device and a protocol based on the rule: “you choose who you listen to, you cannot choose who you talk to”, strive at opening a more egalitarian sharing of the speech on the organizational stage. Drawing on Rancière’s aesthetic and politic theories, I investigate two cases where my intervention resulted in an increased enforcement of power and a restriction of the freedom to speak. By describing the internal logics underlying the actors’ experience of the sensible, I outline a conception of a dialogism not so much concerned with the right to speak and the claim for acknowledgement, as with the inevitable authoritarian quality of listening. The critique of my intervention and my art device and the consideration of the manners in which the actors perceive the heterogeneous dimensions of speech delineate an art form of intervention as an aesthetic education. Training a dissensual listening would mean knowing how to discern any voice among the rustling others, and knowing how discernment is arbitrary. I conclude by circumscribing which ethic responsibility I need to assume in order for my art approach towards organizations to qualify as a true political aesthetics in the sense of Rancière.
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Submitted on : Monday, July 8, 2019 - 5:35:23 PM
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Philippe Mairesse. Reversal : le partage de la parole comme expérience sensible, esthétique, et politique. Art et histoire de l'art. Université Panthéon-Sorbonne - Paris I; Rijksuniversiteit te Utrecht, 2014. Français. ⟨NNT : 2014PA010708⟩. ⟨tel-02177260⟩



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