Skip to Main content Skip to Navigation

Le statut de l'œuvre chez Antonin Artaud et David Nebreda

Abstract : Which logic is guiding the multimodal creations proposed by Antonin Artaud and David Nebreda ? What kind of status can be applied to their “(art)works” ? In order to answer these questions, we will lead an esthetical research and study concurrently the specificities of the creative process in psychosis. We will examine Artaud’s and Nebreda’s productions through the notions of setting and performativity. We will underline the abolition of representation and the crumbling of the stage as well as the limits of play / subjectivity. We will show the predominance of the Real and Imaginary registers as they have been conceived by JacquesLacan. By Artaud and Nebreda, the uncontrolled corporal manifestations and the intra-psychicconflicts generate simultaneous recreations of the body and language as, in the same time, they achieve a sort of sort killing ceremony, tracing unseen signs, outlining strange trails and pointing toward the horizon of a new birth.
Complete list of metadata
Contributor : Abes Star :  Contact
Submitted on : Tuesday, June 23, 2020 - 11:26:18 AM
Last modification on : Wednesday, June 24, 2020 - 3:32:43 AM


Version validated by the jury (STAR)


  • HAL Id : tel-02172663, version 2



Jean-Yves, Olivier Samacher. Le statut de l'œuvre chez Antonin Artaud et David Nebreda. Philosophie. Université de Strasbourg, 2014. Français. ⟨NNT : 2014STRAC029⟩. ⟨tel-02172663v2⟩



Record views


Files downloads