O processo de criação de Enrique Diaz ou a construção de sistemas nebulosos (flous)

Abstract : The international recognition of the director Enrique Diaz has asserted itself for morethan twenty years. His artistic approach is very influenced by performance and it oftenuses metatheatrical texts. His reflexive productions focus on their own creative processes. They highlight the acting of the actor and they use the media in a selfreferential and critical way. Director Enrique Diaz' creation is approached for this thesis in a systemic way, using as a transdisciplinary methodological reference, the computer systems called fuzzy systems. Therefore, it allows to study his approach through different observation scales and varied points of view. First of all, its artistical experience is analyzed with a global scale: main themes and plays, specialy the actor's work. The overall observation offers substrate to a dynamic modeling, that is to say, the development of hypothesis regarding the general operation of Enrique Dias' creating system, and his main course of actions during the process of different plays. As a validating strategy, the play Gaivota - tema para um conto curto (Seagull-Play/La Mouette), is analyzed taking in consideration the operational of a fuzzy system - fuzzification, inferences and defuzzification - that is to say, according to the initial purposes of the project, the aesthetic references for its creation and the main procedures used for improvising (Viewpoints and Composition) and itsconnections/consequences/ to the play. The objective is to show the originality of theartistic approach of Enrique Diaz using a methodology based on the fuzzy system andinspired by his own approach.
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Marcilene Lopes de Moura. O processo de criação de Enrique Diaz ou a construção de sistemas nebulosos (flous). Musicology and performing arts. Université Sorbonne Paris Cité; Universidade Federal do Estado do Rio de Janeiro (Brésil), 2017. Portuguese. ⟨NNT : 2017USPCA063⟩. ⟨tel-02170502⟩

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