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Le cinéma de poche ˸ les enjeux et les usages (2005/2015)

Abstract : This thesis is part of a desire (intends) to understand mobile cinema, made with a mobile device, in the contemporary landscape of the "mobile culture", understood as the set of social uses associated with mobile devices connected to the Internet producing and exploring texts, images, social media publications, etc. We analyzed it as an artistic but also behavioral and social phenomenon, through the uses and the interests (betting, implications) associated with it, especially to those related to innovation. We have done a series of interviews with professionals connected with the pocket cinema. Pocket cinema appears as a cinematographic mode of expression accessible to any individual with a mobile device, who has widely used new resources of dissemination via the Internet and has become part of a contemporary trend of the creative economy. We analyze the distribution of pocket films on video platforms on the web and in festivals dedicated to mobile images between 2005 and 2015. Mobile images have multiplied (selfies, videos), exposing even in a more intimate context. We reflected on the proliferation of mobile images, creativity, amateur practice and the position of the pocket cinema in the face of traditional cinema. With the culture of participation and collaboration, mainstream media have absorbed mobile images published on social media, a new way of collaboration focused on journalism. Finally, the mobile culture evolves rapidly and raises many questions, in particular about virtual reality and the use of the image as a language of communication.
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Submitted on : Tuesday, June 18, 2019 - 12:18:35 PM
Last modification on : Thursday, December 3, 2020 - 5:51:37 PM


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Claudia Maria Queiroz Lambach. Le cinéma de poche ˸ les enjeux et les usages (2005/2015). Sciences de l'information et de la communication. Université Sorbonne Paris Cité, 2018. Français. ⟨NNT : 2018USPCA131⟩. ⟨tel-02158758⟩



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