Le voile prismatique. Éléments pour une théorie libidinale des images

Abstract : This research is the outcome of a montage intertwining contemporary art, film, and advertisement images with philosophical theory, following the direction set by two aesthetic figures that have traditionally been related to the notion of image, namely the mirror and the veil.What emerges is an unprecedented aesthetic figure, i. e., the prismatic veil, which, bouncing between the mirror and the veil, brings along an anti-dualistic interpretation of the world of the visible inspired by the Merleau-Pontian notion of flesh understood as a differential fabric in which things and beings only give themselves as differences with respect to all other things and beings.In the prismatic veil, the flesh is filtered through the Deleuzian notion of « crystal-image », and hence enriched with a faceted and multiple temporality that echoes Deleuze’s own reading of Nietzsche’s eternal return, and hence characterising it with a fundamental libidinal approach, which, in this study, is analysed with a particular emphasis on Lacan.By reacting to the Merleau-Pontian notion of flesh and to the mythical temporality that Merleau-Ponty himself associates to it, the temporality of the crystal-image makes the figure of the prismatic veil emerge as a sort of « flesh 2.0 », hence realising a contemporary theoretical tool aiming at favouring the understanding of the increasingly immersive and enveloping features of the present experience of images, including the implications that such an experience implies as for the identity of the viewer and for the perception of truth that is bond to his/her/their gaze. All this, without forgetting the aspect of seduction that characterises the visual universe, and hence confirming the intimate connection that intertwines images and desire.
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Submitted on : Tuesday, June 4, 2019 - 4:04:57 PM
Last modification on : Thursday, September 5, 2019 - 10:06:05 AM


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  • HAL Id : tel-02147359, version 1



Marta Nijhuis. Le voile prismatique. Éléments pour une théorie libidinale des images. Musique, musicologie et arts de la scène. Université Sorbonne Paris Cité, 2018. Français. ⟨NNT : 2018USPCA091⟩. ⟨tel-02147359⟩



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