L'acte d'image : notes, réflexions, positions : naviguer, ici ou ailleurs, avec (ou sans) son mobile

Abstract : At this time of digital technologies, the profusion of received and shared images, speed and mobility have never been so evident, we can discuss the question of the relationship between gestures, connected objects and creative artistic practices, which can appear as “amateurs”. In a world now localizable, known and recognized by all, the experience of traditional travel would have given way to navigation on the Internet every day? What can cause the presence of this tool in the artist experimentation? How does he use it? Does he show, although, something of this experience? Do new forms appear with the accompaniment of the mobile phone, intelligent? Do they change our perception and relationship to the image? What does the digital environment produce on these forms, which, when they are revealed, or if they are revealed, are contrasting to the so-called "traditional" works of art. They constitute modes of resistance to the "recognized" conceptions of art like those of the work presentation. One of the essential object of the thesis is the reflection on the act of image realized with the mobile, or the gesture “made” often more than the eye "sees" or controls the frame. It is an artistic and reflective experience at the heart of cumulative mobility; where a new work paradigm, modes of diffusion is specifically thought in relation to the captured image.
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Submitted on : Friday, May 24, 2019 - 12:01:40 PM
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  • HAL Id : tel-02138972, version 1



Pauline Gaudin Indicatti. L'acte d'image : notes, réflexions, positions : naviguer, ici ou ailleurs, avec (ou sans) son mobile. Art et histoire de l'art. Université de Strasbourg; Universidade Federal do Rio Grande do Sul (Porto Alegre, Brésil), 2018. Français. ⟨NNT : 2018STRAC040⟩. ⟨tel-02138972⟩



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