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Contribution au design du documentaire interactif : jonction et disjonction des figures de l’utilisateur de B4, fenêtres sur tour, co-produit par France Télévisions.

Abstract : In the last few years, several hundred interactive documentaries (i-docs) have been published on the Internet. If many media professionals prize the i-doc format, its design remains a challenging feat. Given this, what light do film documentary theories and digital media shed on the mediated metamorphoses that typify the “New Writings” movement? What are the communicational and ontologico-aesthetic issues of i-docs? What role and what power should an instance of enunciation accord to the “actant-spectator”?In response to these questions, our study of the current state of the French-speaking production scene brought to the fore a typology of interaction modes. Following this observation, an ethnographic approach, based on a participant observation method, questioned the overall sociotechnical and semio-graphic issues that marked the six-month design process of an i-doc called B4, fenêtres sur tour for the State-run France Télévisions. A Grounded Theory analysis of the data highlighted the different dimensions of a more or less implicit negotiated Model User used by the actors. Finally, the purported uses of i-docs were questioned in evaluating users’ experience. The junctions and disjunctions involving the interaction of the User, Statistical and Empirical Models contributed to a better grasp of the designing of the hybrid and non-stabilised i-doc format.
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Submitted on : Monday, May 13, 2019 - 3:22:14 PM
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Samuel Gantier. Contribution au design du documentaire interactif : jonction et disjonction des figures de l’utilisateur de B4, fenêtres sur tour, co-produit par France Télévisions.. Sciences de l'information et de la communication. Université de Valenciennes, 2014. Français. ⟨tel-02127543⟩

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