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Hyperfiction, creativity and postmodern novel

Abstract : Since Ted Nelson coined the term “hypertext” in 1965, there have been frequent debates on the merits and dangers of digital texts and whether the development of digital technology would outdate the print-based medium. The prophecies were apocalyptic and the future of books seemed bleak. About fifty years later, the doomed print-based medium and the digital hypertexts, their would-be executioners,both still exist. Novels are still popular and so is hyperfiction. Neither outdated or eradicated the other. Instead, the coexistence of books and their digital counterparts has affected ourperception of text, reader, writer and the reading experience. More importantly, the exchange between the two media has resulted in exceptional experimental fiction both on screen and on paper. The conjunction between fiction and digital technology is of concern to this project which attempts to study hyperfiction, its roots in fiction and its printed descendants.
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Submitted on : Wednesday, March 6, 2019 - 11:35:08 AM
Last modification on : Thursday, February 27, 2020 - 2:34:02 PM
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  • HAL Id : tel-02058904, version 1



Baharak Darougari. Hyperfiction, creativity and postmodern novel. Linguistics. Université de Strasbourg, 2018. English. ⟨NNT : 2018STRAC021⟩. ⟨tel-02058904⟩



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