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Pour une histoire de la critique dramatique et théâtrale en France et en Italie (1952-1996) : du protocole texto-centré à la fabrique du théâtre

Abstract : Although the studies on the history of theatre review and critique have followed different approaches, the critique itself has rarely narrowed its focus on a specific epistemological question. The word towards, in the title of this research, expresses the desire of designing a first study for analysing the mechanisms of critique, its structure and its protocols, considering it as an independent object for the historiographical analysis. We have therefore developed some appropriate analytical tools, based on the methodology used by researches published in magazines. Critics’ magazines and journals have formed the framework of this thesis, from which its main thread has been unveiled, namely the reform of the text-centred critical protocol. The thesis plan has been structured following this common thread from the first signs of the reform in 1952, found in France and in Italy after the death of Benedetto Croce and Jean Vilar's speech « The theatre and the soup », until Bernard Dort and Giuseppe Bartolucci, who started the modification of the protocol by introducing the concept of « scenic writing » in the vocabulary of criticism, died in 1994 and 1996, respectively. The present research is based on the analysis of many periodicals and archival documents, which are in part unpublished.
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  • HAL Id : tel-02053398, version 1

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Cristina Tosetto. Pour une histoire de la critique dramatique et théâtrale en France et en Italie (1952-1996) : du protocole texto-centré à la fabrique du théâtre. Musique, musicologie et arts de la scène. Université Michel de Montaigne - Bordeaux III; Università degli studi (Bologne, Italie), 2018. Français. ⟨NNT : 2018BOR30056⟩. ⟨tel-02053398⟩

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