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Musique et industries médiatiques. : Construction et mutations d'une musicalisation médiatisée à la télévision (1949-2015)

Abstract : This doctoral thesis questions the relationship between music and the media from a communicational perspective. Relying upon the notion of mediatized musicalization, this research work offers an analysis of musical integrations featured on French television from 1949 to 2015. Building upon intermedia and integeneric foundations, the musical setting of French television programs bears witness to the ever increasing industrialization of two sectors of the cultural industries since the 1980’s: the audiovisual sector and the recorded music sector. In order to fully appreciate the issues at stake here, a composite methodology has been adopted mixing investigative research on the work of video editors (historiographical readings, semi-directive interviews) and corpus analyses (statistical analyses and thematically-oriented content analyses). One of the conclusions that can be drawn from these analyses is that, in a context of rationalized creation, musical integrations indicate that the symbolic value of music is taken into consideration as part of a wider strategy aimed at grabbing the attention of the public. These changes, noticeable in the contents, have led to the multiplication and to the growing circulation of musicalized images, thus reveal the involvement of the media in our industrialized culture.
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Guylaine Gueraud Pinet. Musique et industries médiatiques. : Construction et mutations d'une musicalisation médiatisée à la télévision (1949-2015). Sciences de l'information et de la communication. Université Grenoble Alpes, 2018. Français. ⟨NNT : 2018GREAL015⟩. ⟨tel-01990326⟩

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