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L'ambiguïté générique dans trois romans autobiographiques algériens d'expression française. L'exemple des œuvres de Jacinthe noire de Taos Amrouche, Le Fils du pauvre de Mouloud Feraoun, et de L'Amour la fantasia d'Assia Djebar.

Abstract : In this piece of work, we have discussed on the ‘autobiographical novel’ as a literary genre exemplified by three Algerian works written in French – namelyTaos Amrouche’s Jacinthe noire de, Mouloud Feraoun’s Le Fils du pauvre and Assia Djebar’s L'amour la fantasia.First and foremost, the autobiographical novel – recently defined by modern poetic – marks itself off from the other genres with its strategy of generic ambiguity. This has been systematically noticed in these works, especially from a structural point of view where text components play the part of generic operators such as paratext, intertext, but also enunciating mechanisms on fictional and referential axes.Starting from the contextual standpoint, other ambiguities nurture the nature of the genre we have wished to tackle through the concept of duality that is unveiled by the social and individual context. This very concept has then been developed into the concept of the double. It affects mostly the figure of the author as well as their characters.Moving beyond the figure of the double amounts to questioning the very unity of the Self and personal identity before rendering a final verdict on various theories that tried to implement reception that may hermeneutically validate the genre in all its diverging acceptations.Keywords: autobiographical novel, fiction, reality, ambiguity, duality, double, self identity, amalgam, reception.
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Brahim Ahmed Said. L'ambiguïté générique dans trois romans autobiographiques algériens d'expression française. L'exemple des œuvres de Jacinthe noire de Taos Amrouche, Le Fils du pauvre de Mouloud Feraoun, et de L'Amour la fantasia d'Assia Djebar.. Littératures. Université Grenoble Alpes, 2017. Français. ⟨NNT : 2017GREAL029⟩. ⟨tel-01976654⟩

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