La langue au théâtre : expression d'une identité culturelle ?

Abstract : The title of our dissertation points to the key elements of this study. To probe contemporary theatre, especially in France and in Italy, we rely on a specific tool: the rhythm. We propose a comparative study of four plays, each one by a different author, two Italians and two French : Juste la fin du monde (1990) by Jean-Luc Lagarce, Clôture de l’amour (2011) by Pascal Rambert, Italia-Brasile 3 a 2 (2002) by Davide Enia and Dissonorata (2006) by Saverio La Ruina. The definition of rhythm, as given by Henri Meschonnic, allows us to study these plays without a precise linguistic, theatrical, and sociological point of view. This is because the poetics of the author manifests itself via and thanks to the rhythm. A rhythm that is certainly rooted in the linguistic structure of the play, but which is also the accomplishment of the historical and cultural expression of the voices of the authors.
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Paola Giummarra. La langue au théâtre : expression d'une identité culturelle ?. Linguistique. Université d'Avignon, 2018. Français. ⟨NNT : 2018AVIG1185⟩. ⟨tel-01937901⟩

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