Les faiseurs de notes : Pratiques professionnelles, identité sociale et mobilités des musiciens dans la Provence et les États pontificaux rhodaniens du XVIIIe siècle

Abstract : In the french Ancien Régime society, characterized by social etiquette and assigning specific positions to individuals so that hierarchies are established, musicians appear to form a professional group difficult to categorize. They experience many realities according to their profiles : the organist from the cathedral, the violinist enlivening a district wedding, the town trumpet, the military drum or the street musician. The uncertainty regarding their status make them an ideal population to study in order to examine the way modern society views itself. This thesis offers to study this socio-professional group with a prosopographic approach inside a large geographic area that encompasses Provence and the pontifical states of the Rhône in the 18th century. Our reflection on musicians follow three main guidelines : the professional practices of the group, the social identity that shapes and defines its members, and the spatial and social movements characterizing their distribution across the territory. These three themes are mutually dependent as they constantly blend and influence each other.
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Aurélien Gras. Les faiseurs de notes : Pratiques professionnelles, identité sociale et mobilités des musiciens dans la Provence et les États pontificaux rhodaniens du XVIIIe siècle. Histoire. Université d'Avignon, 2018. Français. ⟨NNT : 2018AVIG1186⟩. ⟨tel-01937253⟩

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