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Contribution à l'étude de l'art rupestre tassilien : à la recherche d'un sens à Ozan Ehéré (Tasîli-n-Ajjer, sahara central, Algérie)

Abstract : Considering the face of human representations and evoking particularly firm presuppositions on a world of masks and animism considered as strictly black - African, number of the authors who studied the rupestral images of central Sahara mixed up "culture" and " racial identity ", artistic canons and anthropological kind, establishing a chopped cultural History, which is not argued. In Ozan Ehéré, remarkable cases of relationships illustrated by scenes showing an anthropomorphic touching a zoomorphic invite to suggest a parallel between representations in style of the Round Heads and the bovidians images (styles of Séfar - Ozan Ehéré, of Abañher, Iheren), while these groups are considered generally independent one of the other one and divided up by typological concern. A first structural approach of the rock art of the zone finally allows us to open stimulating ways, for example about the nature of beings represented on walls (who may not be human beings and ordinary animals attending to some commonplace occupation), and drives us to wonder about the function of these images. According to their possible feminine dimension, some Round Heads paintings could be taken out from the file of enigmatic representations. We could also get bovidians images out from the world of ornamental paintings, or of the chronicle - without appeal to literal readings.
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Amel Mostefaï-Ithier. Contribution à l'étude de l'art rupestre tassilien : à la recherche d'un sens à Ozan Ehéré (Tasîli-n-Ajjer, sahara central, Algérie). Archéologie et Préhistoire. Université Toulouse le Mirail - Toulouse II, 2014. Français. ⟨NNT : 2014TOU20035⟩. ⟨tel-01906211⟩



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