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La création poétique chez Henri Michaux : formes, langages et thèmes

Abstract : The writing of Michaux moves invariably in forms so diverse as contradictory. In prose or versified, the poetic writing at this author is total and keeps(preserves) in this suppleness a with difficulty perceptible stylistic unity(unit) at first sight so much he(it) is made contortionist of the shape ., Michaux realizes with perspicacity a hybrid poetic writing of a generic point of view. The report(relationship) of Michaux in the language(tongue) is also complex. The linguistic subversions are at his home multiple and taken away from the ungrammaticality even essential of the poetic genre. The words and the typographic signs build a language under the impulse of the various emotional routes(courses) of the poet, where from écarts and improper associations. The repetition, as elementary pit of the rhythm seems to it to coincide with a desire of exorcism or the development of the word stresses to say it in a timeless movement on returning to one and on returning to the world. Michaux registers the rhythm in the visual perception. And the graphics associated with the breath leads to consider certain poems communicating paintings. The poems of Michaux are frescoes in the unusual taste where strange creatures and comic intrigues mobilize to give free rein to his overflowing imagination which draws from the "space of inside" which echos the existential concerns.
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Submitted on : Sunday, October 21, 2018 - 1:02:29 AM
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  • HAL Id : tel-01900129, version 1



Adjoua N'Guessan Alice Yao. La création poétique chez Henri Michaux : formes, langages et thèmes. Littératures. Université Sorbonne Paris Cité, 2016. Français. ⟨NNT : 2016USPCA140⟩. ⟨tel-01900129⟩



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