Skip to Main content Skip to Navigation

La continuité stéréoscopique : correspondances et discontinuité

Abstract : This work has been driven among the Sciences, Arts, Design and Research doctoral program (SACRe), which relies on a practice-based research. It is therefore made of two stereoscopic 3D (S3D) movies and a dissertation that reports the explorations and our reflexive approach during this three years program.The thesis first focuses on formalising the concept of continuity in cinema. This leads to enlighten elements that permits the continuity to exist on one hand, as well as those required for its understanding on the other hand, so as to define a general model of cinematographic continuity; that reveals itself to be sharing some of its principles with scientific disciplines as well as artistic ones.We then analyse the singular case of stereoscopy, between continuities and discontinuities. This technical and perceptual study enables us to apprehend its specificities, in order to examine the state of continuity in nowadays stereoscopic cinema.This work finally focuses on unexplored artistic possibilities in S3D, among which the enrichment of stereoscopic continuity, inspired by the way architecture and music have treated continuity and discontinuity issues. We have experimented some of these possibilities through two short films, as we report at the end of the dissertation.
Complete list of metadatas
Contributor : Abes Star :  Contact
Submitted on : Monday, June 25, 2018 - 9:20:07 AM
Last modification on : Friday, January 18, 2019 - 1:22:14 AM
Document(s) archivé(s) le : Wednesday, September 26, 2018 - 1:25:03 PM


Version validated by the jury (STAR)


  • HAL Id : tel-01822381, version 1



Esther Jacopin. La continuité stéréoscopique : correspondances et discontinuité. Art et histoire de l'art. PSL Research University, 2017. Français. ⟨NNT : 2017PSLET016⟩. ⟨tel-01822381⟩



Record views


Files downloads