Scénographie, mise en scène et choix esthétiques : La mise en question de la théâtralité au Théâtre National de Strasbourg sous la direction de Jean-Pierre Vincent.

Abstract : The present thesis work is about the Strasbourg National Theater (TNS) under the direction of Jean-Pierre Vincent (1975-1983). In particular, the first part of the present research focuses, from a theoretical perspective, on issues related to the theatrical decentralization program and highlights the artistic, historic, socio-political context that guided Jean-Pierre Vincent and his collective of artists to consider and pioneer a new theatric approach. While several artistic movements were working on the street like Happening or Bread and Puppet Theatre…, others like Ariane Mnouchkine and Peter Brook were distinguished by a theatrical experimental approach involving the spectator in an innovative way. These theoretical perspectives illustrate the broader context in which TNS evolved. In this second part of this thesis, we investigate and discuss the “theatricality” and “spectator” notions throughout Jean-Pierre Vincent and André Engel creations (“dans les murs” and “hors les murs”). Moreover, by focusing on scenographic and aesthetic choices, we highlight two different, yet complementary, ways of questioning theatrical codes. Specifically, the practice of a subversive and critical theater led to a deep reconsideration of the status of the spectator, as well as those of the scenographer and the director.
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Hanène Othmani. Scénographie, mise en scène et choix esthétiques : La mise en question de la théâtralité au Théâtre National de Strasbourg sous la direction de Jean-Pierre Vincent.. Art et histoire de l'art. Université Grenoble Alpes, 2017. Français. ⟨NNT : 2017GREAL031⟩. ⟨tel-01814387⟩

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