Quand la scénographie devient urbaine : Nantes comme observatoire des fonctions du scénographe dans la fabrique de la ville

Abstract : Based on the current effervescence of scenography in the creative environment , this work proposes to study the appearance of a specific function around the concept of urban scenography in the fabric of the contemporary city. Since the 1980s, in a context of the development of event, creative and cultural city, we are witnessing a multiplication of ephemeral artistic proposals deploying scenographic devices in the public space that evolve modes of action of the actors of the urban factory (cultural operators, artists, public managers and developers). Between theater and public space, stage and city, we will trace the origins of the scenography and then take an interest in the Nantes scene, which is considered here as a laboratory of different forms that can take urban scenography. Infact, in urban space, it is an identifying an emerging professional group, the scenographers, about the evolution of their practices outside the theater. Then, by tightening the focus on a territory, we characterize more specifically the function of urban scenography in its contemporary meaning reflecting an evolution of the place of artistic creation in the urban factory. A larger scale, this study calls into question the production of urban spaces, revealing tension between functional necessity and the conception of sensitive spaces. Between artistic and dynamic recovery, this research informs us about an embodiment of the contemporary city at the interface between town planning of entertainment and artistic utopia.
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Emmanuelle Gangloff. Quand la scénographie devient urbaine : Nantes comme observatoire des fonctions du scénographe dans la fabrique de la ville. Architecture, aménagement de l'espace. Université d'Angers, 2017. Français. ⟨NNT : 2017ANGE0018⟩. ⟨tel-01757913⟩

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