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La pensée sonore du corps : Pour une approche écologique à la médiation technologique, au mouvement et à l'interaction sonore

Abstract : During the last years, motion sensing technologies have radically transformed the universe of the artistic practice. This dramatic change has recently inspired new perspectives in scientific research. Music is actually among the most affected domaines by this expressive and epistemological renewal. The interactive relation between mediation technology, movement and sound, seems to be declined into two main modalities : on one hand, movement analysis’ technologies allow to study mutual connections between acoustic phenomenon and sensorimotor system, on the other hand, embodied understanding of musical experience can help to devise an holistic approach to interactive systems conception and development. Given this background scenario, this thesis focuses on how movement’s qualities transformation into sound allows the performer to become aware of physiological and imaginative processes in gesture composition. In this framework, sound feedback-movement relation is analyzed from an ecological point of view. According to this approach, mediation technology seems to elicit an autopoietic process of extension and intensification of corporeality. Especially in the artistic performance, sound interaction offers to performer a new sensorial geography that allows him/her to renew his/her perceptive organization and thereby rethink expressive composition of movement.
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https://tel.archives-ouvertes.fr/tel-01723356
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Submitted on : Monday, March 5, 2018 - 2:46:12 PM
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  • HAL Id : tel-01723356, version 1

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Andrea Giomi. La pensée sonore du corps : Pour une approche écologique à la médiation technologique, au mouvement et à l'interaction sonore. Musique, musicologie et arts de la scène. Université Côte d'Azur; Università degli studi (Bologne, Italie), 2017. Français. ⟨NNT : 2017AZUR2041⟩. ⟨tel-01723356⟩

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