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La représentation de la réussite sociale dans le cinéma égyptien des années soixante-dix

Abstract : If the success's concept appears during the Egyptian society's evolution in the seventy decade, which constituting it as a central scheme, attributes to it, for a while the characteristics of a "particular problem", so far as this evolution continues, this concept acquires new significations that explain it. In the first half of the seventy decade, the films analysis leads us to note that the success is linked to particular stakes : the defense of the ownership and the liberation of the land, the quest of power and status or economic security, face to the unsettled future, by the alliance with the economic elites. This notion allows to apprehend the political and social structure specific of that period : a non democratic political model, the valorization of political resources for the lack of the economic resources abutting on the substitution of the " state capitalism " for the private capitalism, the urgency of the land liberation's problem and the attempts to appropriate the domination by the peripheral traditional or new economic structures. Whereas on the second half of the seventy decade, the success refers to new stakes, new social and economic conditions : the quest of the peculiar benefit, the fortune, the monetary individual gain linked to the single profit's norm to the detriment of the common norms ant the collective values, recognized and shared. Thus, the success permits to apprehend the new order structures : an opening to. . .
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Contributor : Amina Hassan Khalil <>
Submitted on : Wednesday, March 14, 2018 - 2:31:53 PM
Last modification on : Sunday, January 19, 2020 - 6:38:16 PM
Long-term archiving on: : Friday, June 15, 2018 - 12:49:58 PM


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Amina Hassan Khalil. La représentation de la réussite sociale dans le cinéma égyptien des années soixante-dix. Art et histoire de l'art. Université de Paris 1 – Panthéon-Sorbonne, 1995. Français. ⟨tel-01708642⟩



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