Le remake-actualisation : une norme de création universelle ?

Abstract : An updating remake is a movie which takes the plot and the characters from a filmof the same nationality released earlier. The remade film develops an hypertextualrelationship with its model. However, its hypertextuality is paradoxical at every stages ofits existence.Its production highlights different working-rules which do not necessarily match itsdeclaration or interpretation. The remake film aims at building itself as a creation and atthe same time, at maintaining a link more or less emphasized with the original motionpicture. Televised or cinematographic, the remake becomes the confrontation place of thedifferent media views. But does the object answer to a universal creative rule?The relative universality of the remakes both shows a unification of the mostindustrial conception of cinema and television and a new way to apprehend the audiovisualcreation.
Complete list of metadatas

Cited literature [100 references]  Display  Hide  Download

Contributor : Abes Star <>
Submitted on : Thursday, July 20, 2017 - 6:27:07 PM
Last modification on : Tuesday, November 14, 2017 - 8:50:30 PM


Version validated by the jury (STAR)


  • HAL Id : tel-01566276, version 1



Gaëlle Philippe. Le remake-actualisation : une norme de création universelle ?. Musique, musicologie et arts de la scène. Université de la Sorbonne nouvelle - Paris III, 2013. Français. ⟨NNT : 2013PA030046⟩. ⟨tel-01566276⟩



Record views


Files downloads