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Vers des outils d'analyse musicale à l'échelle humaine

Abstract : While music has contributed to the development of cognitive psychology and experimental aesthetics, musicology, and more particularly its analytical branch, has taken little benefit from the achievements of what has been called "the sciences of music ". This situation is the result of a growing ontological distance between the paradigms underlying the development of cognitive sciences and those on which musicological theory and analysis are grounded. The difficulty in assimilating a transdisciplinary methodology – a central epistemological question that accompanies the development of cognitive sciences – is also responsible for the chronic lack of interest on the part of musicologists for the scientific disciplines which have open the possibility to understand music as an object shaped both by perception and cognition, and as a living aesthetic experience. This research evaluates the reasons that prove the relevance and the necessity of building a straight relation between the analytical musicology and the scientific study of perception and aesthetics. It also leads a discussion in order to propose a definition of the aims and the means characterizing an analytical musicology that recognizes and preserves its place within the frame of the contemporary human and natural sciences.
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Rafael Barbosa. Vers des outils d'analyse musicale à l'échelle humaine. Musique, musicologie et arts de la scène. Université Côte d'Azur, 2017. Français. ⟨NNT : 2017AZUR2013⟩. ⟨tel-01565485⟩

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