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Le territoire à l'épreuvre du compositing : pratiques vidéographiques et ambiances urbaines

Abstract : This research questions the heuristic and operational issues of the video in the practice of urban planning. To do this, it operates a meeting between the notion of architectural and urban environments, as developed in Cresson, with image-mouvement and image-temps concepts developed by Deleuze. Then it proposes to give effect to this meeting in the practice of urban planning through digital compositing, technical handling of moving images.The hypothesis guiding this research is that it is possible to define a image-composite able to argue and to debate specific environments territories studied phenomena. This assumption is formalized around two corpus, the first comes from an artistic practice of video that motivated the development of this thesis, the second is from a practice of video in urban planning agency was carried out throughout this research.This work adds value to the video as knowledge media on one side and posture as a project of the other. Support for knowledge, because video offers the possibility of renewing the phenomenological approach in force in the atmospheres of the field by a sensitive understanding of phenomena in time of updating. Project posture, because the video is likely to reconfigure relational modalities implemented in dynamic analysis and design of the space and territory
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Guillaume Meigneux. Le territoire à l'épreuvre du compositing : pratiques vidéographiques et ambiances urbaines. Architecture, aménagement de l'espace. Université Grenoble Alpes, 2015. Français. ⟨NNT : 2015GREAH010⟩. ⟨tel-01450736⟩

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