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La vidéo au regard du cinéma : pour une archéologie des "idées de vidéo" dans la presse cinématographique française (1959-1995)

Abstract : Since the Eighties, several film scholars (Philippe Dubois, Raymond Bellour, Jean-Paul Fargier) have assigned fixed identity to video in order to emphasize its fundamental difference with cinema. We intend to reconsider the relations between cinema and video in a way which would avoid these ontological dictinctions based on technology. This thesis would like to give its heterogeneity back to video and bring to light some analogies with cinema by examining texts about electronic uses in theatrical released movies. The purpose is to identify and analyze several « ideas of video » (on the model of François Brunet's « idea of photography »), drawing on three ranges of objects : press reviews, filmmakers statements and movies themselves. Building on Michel Foucault's archeology, this investigation aims to re-think a history of the relations of cinema with video focused on discourses. One of our requirements is to challenge the idea of historical continuous progess and use two Foucaldian models instead : « discontinuity » and « dispersion ».
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https://tel.archives-ouvertes.fr/tel-01425356
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Submitted on : Tuesday, January 3, 2017 - 3:23:04 PM
Last modification on : Tuesday, June 15, 2021 - 3:45:42 PM
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  • HAL Id : tel-01425356, version 1

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Arnaud Widendaële. La vidéo au regard du cinéma : pour une archéologie des "idées de vidéo" dans la presse cinématographique française (1959-1995). Musique, musicologie et arts de la scène. Université Charles de Gaulle - Lille III, 2016. Français. ⟨NNT : 2016LIL30020⟩. ⟨tel-01425356⟩

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