Rendre les derniers devoirs en musique : Rituels, chants et pompe musicale des cérémonies funèbres catholiques à Paris sous le régime concordataire

Abstract : This thesis studies the motivations, practices and repertories of chant and music used in catholic funeral ceremonies at Paris under the Concordat (1802-1905). The singing and musical solemnization of, added to and during the Mass of the Dead (plain chant, false bourdon, counterpoint, music) is analyzed for its scopes of organization and production : on the one hand the texts and rubrics of the rituals, ceremonies, prayers and chants of the liturgical books (roman and parisian rites) ; on the other hand the legislation, economy and administration of the funeral mass the official fees regulation of “pompes funèbres” fees and parishes. Then the making of the extraordinary musical “pompe” is studied by means of four particular cases : the involvement of the soldiers in and ex ecclesia (military honours and music) ; official and national funeral ceremonies, with their financing, symbolic system, places and official musical repertories ; the mournings of the musical community, involving not only a voluntary summoning up of musicians, singular choices for the musical program, but also a funeral discourse through music.
Complete list of metadatas

https://tel.archives-ouvertes.fr/tel-01420118
Contributor : Abes Star <>
Submitted on : Tuesday, December 20, 2016 - 12:21:10 PM
Last modification on : Wednesday, July 10, 2019 - 6:26:06 PM

File

These-ROLLIN-Vincent-2015.pdf
Version validated by the jury (STAR)

Identifiers

  • HAL Id : tel-01420118, version 1

Citation

Vincent Rollin. Rendre les derniers devoirs en musique : Rituels, chants et pompe musicale des cérémonies funèbres catholiques à Paris sous le régime concordataire. Musique, musicologie et arts de la scène. Université Jean Monnet - Saint-Etienne, 2015. Français. ⟨NNT : 2015STET2210⟩. ⟨tel-01420118⟩

Share

Metrics

Record views

841

Files downloads

216