E. Hendrickx, M. Paquier, and V. Koehl, The Influence of Stereoscopy on the Sound Mixing of Movies : A Study on the Front/Rear Balance of Ambience, Journal of the Audio Engineering Society, vol.62, issue.11, pp.723-735, 2014.
URL : https://hal.archives-ouvertes.fr/hal-01091348

E. Hendrickx, M. Paquier, and V. Koehl, Audiovisual Spatial Coherence for 2D, 2015.
URL : https://hal.archives-ouvertes.fr/hal-01238590

, Stereoscopic-3D movies, Journal of the Audio Engineering Society, vol.63, issue.11, pp.889-899

E. Hendrickx, M. Paquier, and V. Koehl, Ventriloquism effect with sound stimuli varying in both azimuth and elevation, Journal of the Acoustical Society of America, vol.138, issue.6, pp.3686-3697, 2015.
URL : https://hal.archives-ouvertes.fr/hal-01246179

A. Conférences, E. Hendrickx, M. Paquier, and V. Koehl, Does Stereoscopy Change Our Perception of Soundtracks ?, Proceedings of the 57th AES International Conference : The Future of Audio Entertainment Technology-Cinema, Television and the Internet, 2015.

E. Hendrickx, M. Paquier, and V. Koehl, Influence de la stéréoscopie sur le mixage des ambiances « surround » au cinéma, Actes du 12e Congrès Français d'Acoustique, pp.1771-1777, 2014.

E. Hendrickx, M. Paquier, and V. Koehl, Should a movie have two different soundtracks for its stereoscopic and non-stereoscopic versions ? A case study on the front/rear balance, Proceedings of the International Conference on 3D Imaging, 2013.

, Prix 2013 de la meilleure recherche scientifique lors de la Conférence Internationale sur l'Imagerie 3D

B. T. Bibliographie-agganis, J. A. Muday, and J. A. Schirillo, Visual biasing of auditory localization in azimuth and depth, Percept. Mot. Skills, vol.111, pp.872-892, 2010.

D. Alais and D. Burr, The ventriloquist effect results from near-optimal bimodal integration, Curr. Biol, vol.14, pp.257-262, 2004.

I. Allen, Matching the sound to the picture, Proceedings of the 9th Audio Eng. Soc. Int. Conf. : Television Sound Today and Tomorrow, 1991.

C. André, Audiovisual spatial congruence, and applications to 3d sound and stereoscopic video, 2013.

C. André, E. Corteel, J. Embrechts, J. Verly, and B. F. Katz, Subjective evaluation of the audiovisual spatial congruence in the case of stereoscopic-3d video and wave field synthesis, Int. J. Hum.-Comput. St, vol.72, pp.23-32, 2014.

C. R. André, M. Rébillat, and B. F. Katz, Sound for 3D cinema and the sense of presence, Proceedings of the 18 th International Conference on Auditory Display, 2012.

D. H. Ashmead, D. Leroy, and R. D. Odom, Perception of the relative distances of nearby sound sources, Percept. Psychophys, vol.47, pp.326-331, 1990.

-. Auro, , 2006.

, Auro 3D 11.1 White Paper

P. Battaglia, R. Jacobs, and R. Et-aslin, Bayesian integration of visual and auditory signals for spatial localization, J. Opt. Soc. Am, vol.20, pp.1391-1396, 2003.

S. Bech and N. Zacharov, Perceptual Audio Evaluation, 2006.

A. J. Berkhout, A holographic approach to acoustic control, J. Audio Eng. Soc, vol.36, pp.977-995, 1988.

A. J. Berkhout, D. De-vries, and P. Vogel, Acoustic control by Wave Field Synthesis, J. Acoust. Soc. Am, vol.93, pp.2764-2778, 1993.

R. I. Bermant and R. B. Welch, Cross-modal bias and perceptual fusion with auditory-visual spatial discordance, Percept. Mot. Skills, vol.43, pp.487-493, 1976.

P. Bertelson and G. Et-aschersleben, Bayesian integration of visual and auditory signals for spatial localization, Psychon. Bull. Rev, vol.5, pp.482-489, 1998.

P. Bertelson and M. Et-radeau, Cross-modal bias and perceptual fusion with auditoryvisual spatial discordance, Percept. Psychophys, vol.29, pp.578-584, 1981.

J. Blauert, Ein versuch zum richtungshören bei gleichzeitiger optischer stimulation, Acustica, vol.23, pp.118-119, 1970.

J. Blauert, Spatial hearing : the psychophysics of human sound localization, 1997.

A. D. Blumlein, Improvements in and relating to sound-transmission, soundrecording and sound-reproducing systems, British Patent, vol.394, p.325, 1933.

M. M. Boone, E. N. Verheijen, and P. F. Van-tol, Spatial sound-field reproduction by Wave-Field Synthesis, J. Audio Eng. Soc, vol.43, pp.1003-1012, 1995.

A. L. Bowen, R. Ramachandran, J. A. Muday, and J. A. Schirillo, Visual signals bias auditory targets in azimuth and depth, Exp. Brain. Res, vol.214, pp.403-414, 2011.

A. W. Bronkhorst and T. Houtgast, Auditory distance perception in rooms, Nature, vol.397, pp.517-520, 1999.

W. P. Bruijn and M. M. Boone, Subjective experiments on the effects of combining spatialized audio and 2d video projection in audio-visual systems, Proceedings of the 112 th Convention of the Audio Eng, 2002.

M. Bruneau, Introduction aux théories de l'acoustique, 1983.

D. S. Brungart and W. M. Et-rabinowitz, Auditory localization of nearby sources. head-related transfer functions, J. Acoust. Soc. Am, vol.106, pp.1465-1479, 1999.

R. Butler, E. T. Levy, and W. D. Neff, Apparent distance of sounds recorded in echoic and anechoic chambers, J. Exp. Psychol.-Hum. Percept. Perform, vol.6, pp.745-750, 1980.

E. R. Calcagno, E. L. Abregú, M. C. Eguia, and R. Vergara, The role of vision in auditory distance perception, Percept, vol.41, pp.175-192, 2012.

S. Carlile, P. Leong, and S. Hyams, The nature and distribution of errors in sound localization by human listeners, Hearing Res, vol.114, pp.179-196, 1997.

C. Cavonius and D. Robbins, Relationships between luminance and visual acuity in the rhesus monkey, J. Physiol, vol.232, pp.239-246, 1973.

M. Chion, Un art sonore, le cinéma. Les Cahiers du Cinéma, 2003.

M. Chion, L'audiovision. Armand Colin, 2005.

C. S. Choe, R. B. Welch, R. M. Gilford, and J. F. Juola, The "ventriloquist effect" : Visual dominance or response bias ?, Percept. Psychophys, vol.18, pp.55-60, 1975.

P. D. Coleman, Dual role of frequency spectrum in determination of auditory distance, J. Acoust. Soc. Am, vol.44, pp.631-632, 1968.

M. Coleman, The sound of Avatar

M. Coleman, The sound of Hugo

D. Corrigan, M. Gorzel, J. Squires, and F. Boland, Depth perception of audio sources in stereo 3d environments, Proc. SPIE 8648, 2013.

E. Corteel and R. Nicol, Listening room compensation for wave field synthesis. what can be done ?, Proceedings of the 23rd International Conference of the Audio Eng. Soc. : Signal Processing in Audio Recording and Reproduction, 2003.
URL : https://hal.archives-ouvertes.fr/hal-01106155

B. E. Coutant and G. Westheimer, Population distribution of stereoscopic ability, Ophthalmic Physiol. Opt, vol.13, pp.3-7, 1993.

A. Czyzewski, A. Kornacki, and P. Odya, Some rules and methods for creation of surround sound, Proceedings of the 21 st Conference of the Audio Eng, p.69, 2002.

N. Côté, V. Koehl, and M. Paquier, Ventriloquism effect on distance auditory cues, Proceedings of Acoustics 2012 joint congress, 2012.

, Annual IOA Meeting), pp.1063-1067

P. Damaske and B. Wagener, Richtungshörversuche über einen nachgebildeten kopf (investigations of directional hearing using a dummy head), Acustica, vol.21, pp.30-35, 1969.

L. Djian, 3D : Eldorado ou échec ?, 2013.

N. A. Dodgson, Variation and extrema of human interpupillary distance, Proceedings of SPIE, vol.5291, pp.36-46, 2004.

. Dolby, , 1994.

, Dolby Stereo Technical Guidelines for Dolby Stereo Theatres

. Dolby, , 2011.

, Next-Generation Audio for Cinema, 2012.

R. Duda and W. L. Martens, Range dependence of the response of a spherical head model, J. Acoust. Soc. Am, vol.104, pp.3048-3058, 1998.

A. Dupas, multicanal au cinéma : un canal zénithal ? Mémoire de fin d'études, 2007.

C. J. Erkelens and R. Van-ee, The role of the cyclopean eye in vision : sometimes inappropriate, always irrelevant, Vision Res, vol.42, pp.1157-1163, 2002.

M. O. Ernst and M. S. Banks, Humans integrate visual and haptic information in a statistically optimal fashion, Nature, vol.415, pp.429-433, 2002.

V. Gambier, Nouvelle approche pour la bande sonore d'un film en relief. Mémoire de fin d'études, École Nationale Supérieure Louis Lumière, p.55, 2010.

M. Gardner, Distance estimation of 0 ? or apparent 0 ?-oriented speech signals in anechoic space, J. Acoust. Soc. Am, vol.45, pp.47-53, 1969.

M. B. Gardner, Proximity image effect in sound localization, J. Acoust. Soc. Am, vol.43, p.163, 1968.

M. A. Gerzon, Periphony : With-height sound reproduction, Journal of the Audio Engineering Society, vol.21, pp.2-10, 1973.

M. H. Giard and F. Peronet, Auditory-visual integration during multimodal object recognition in humans : A behavioral and electrophysiological study, J. Cognitive Neurosci, vol.11, pp.473-490, 1999.

E. R. Girden, ANOVA : Repeated measures, 1991.

S. B. Green and N. J. Salkind, Using SPSS for Windows and Macintosh. Pearson, septième édition, 2013.

D. Griesinger, Stereo and surround panning in practice, Proceedings of the 112th Audio, 2002.

P. Guillon, Individualisation des indices spectraux pour la synthèse binaurale : recherche et exploitation des similarités inter-individuelles pour l'adaptation ou la reconstruction de HRTF, 2009.

W. Hairston, M. Wallace, J. Vaughan, B. Stein, J. Norris et al., , 2003.

, Visual localization ability influences cross-modal bias, J. Cogn. Neurosci, vol.15, pp.20-29

K. Hamasaki, W. Hatano, and K. Hiyama, 5.1 and 22.2 multichannel sound productions using an integrated surround sound panning system, Proceedings of the 117th Audio, 2004.

B. G. Haustein, Hypothesen über die einohrige entfernungswahrnehmung des menschlichen gehörs (hypotheses about the perception of distance in human hearing with one ear), Hochfrequenztech. u. Elektroakustik, vol.78, pp.46-57, 1969.

B. G. Haustein and W. Schirmer, Messeinrichtung zur untersuchung des richtungslokalisationsvermögens (a measuring apparatus for the investigation of the faculty of directional localization), Hochfrequenztech. u. Elektroakustik, vol.79, pp.96-101, 1970.

W. L. Hays, Statistics. Harcourt Brace, Fort Worth, cinquième édition, 1994.

E. Hendrickx, M. Paquier, and V. Koehl, The influence of stereoscopy on the sound mixing of movies : A study on the front/rear balance of ambience, J. Audio Eng. Soc, vol.62, pp.723-735, 2014.
URL : https://hal.archives-ouvertes.fr/hal-01091348

E. Hendrickx, M. Paquier, and V. Koehl, Audiovisual spatial coherence for 2D and stereoscopic-3D movies, J. Audio Eng. Soc. (Accepté), 2015.
URL : https://hal.archives-ouvertes.fr/hal-01238590

E. Hering, Spatial sense and movements of the eye, 1942.

T. Hiekkanen, T. Lempiainen, M. Mattila, V. Veijanen, and V. Pulkki, Reproduction of virtual reality with multichannel microphone techniques, Proceedings of the 122 nd Convention of the Audio Eng, 2007.

L. Hládek, C. C. Le-dantec, N. Kopco, and A. Seitz, Ventriloquism effect and aftereffect in the distance dimension, Proceedings of Meetings on Acoustics, vol.19, p.50042, 2013.

M. Hollander and D. A. Wolfe, Nonparametric Statistical Methods, 1999.

I. P. Howard, Human visual orientation, 1982.

D. C. Howell, Statistical Methods for Psychology. Cengage Learning, 2009.

C. Hugonnet and J. Jouhaneau, Comparative spatial transfer function of six different stereophonic systems, Proceedings of the 82 nd Convention of the Audio Eng, 1987.

C. Hugonnet and P. Walder, Théorie et pratique de la prise de son stéréophonique, 1995.

, Sound system equipment-Part 13 : Listening tests on loudspeakers, IEC, pp.60268-60281, 1998.

W. Ijsselsteijn, H. De-ridder, J. Freeman, S. E. Avons, and D. Bouwhuis, Effects of stereoscopic presentation, image motion, and screen size on subjective and objective corroborative measures of presence, Presence-Teleop. Virt, vol.10, pp.298-311, 2001.

A. Iljazovic, F. Leschka, B. Neugebauer, and J. Et-plogsties, The influence of 2-D and 3-D video playback on the perceived quality of spatial audio rendering for headphones, 2012.

, Proceedings of the 133 rd Convention of the Audio Eng

I. Bs, Methods for Subjective Assessment of Small Impairments in Audio Systems Including Multichannel Sound Systems, pp.1116-1117, 1994.

I. Bs, General methods for the subjective assessment of sound quality, pp.1284-1285, 2003.

I. Bs, Methods for the subjective assessment of audio systems with accompanying picture, p.1286, 1997.

C. E. Jack and W. R. Et-thurlow, Effects of degree of visual association and angle of displacement on the "ventriloquism" effect, Percept. Mot. Skills, vol.37, pp.967-979, 1973.

C. V. Jackson, Visual factors in auditory localization, Q. J. Exp. Psychol, vol.5, pp.52-65, 1953.

C. Jones, Roll-out and financial aspects of 3d digital cinema, Proceedings of 3D Stereo MEDIA, 2009.

J. Jouhaneau, Perception de l'espace et immersion-perception visuelle, 2012.

L. Jullier, Le son au cinéma. Les Cahiers du cinéma, 2006.

T. Kamekawa, A. Marui, and M. Enatsu, Evaluation of spatial impression comparing 2ch stereo, 5ch surround, and 7ch surround with height channels for 3d imagery, Proceedings of the 130th Audio, 2011.

E. I. Knudsen and M. Konishi, Mechanisms of sound localization in the barn owl (tyto alba), J. Comp. Physiol, vol.133, pp.13-21, 1979.

S. Komiyama, Subjective evaluation of angular displacement between picture and sound directions for HDTV sound systems, J. Audio Eng. Soc, vol.37, pp.210-214, 1989.

B. Krohn, Entretien avec Paul Martin Smith, Les Cahiers du Cinéma, vol.647, pp.16-19, 2009.

L. F. Kruszielski, T. Kamekawa, and A. Marui, Perception of distance and the effect on sound recording distance suitability for a 3D or 2D image, Proceedings of the 133 rd Convention of the Audio Eng. Soc. eBrief 55, 2012.

B. Kunka and B. Kostek, New aspects of virtual sound source localization researchimpact of visual angle and 3-D video content on sound perception, J. Audio Eng. Soc, vol.61, pp.280-289, 2013.

C. F. Lam, J. R. Dubno, and J. H. Mills, Determination of optimal data placement for psychometric function estimation : a computer simulation, J. Acoust. Soc. Am, vol.106, pp.1969-1976, 1999.

T. Letowski and S. Letowski, Localization error : Accuracy and precision of auditory localization. Advances in Sound Localization, 2011.

J. Lewald, W. H. Ehrenstein, and R. Guski, Spatio-temporal constraints for auditory-visual integration, Behav. Brain Res, vol.121, pp.69-79, 2001.

J. C. Makous and J. C. Middlebrooks, Two-dimensional sound localization by human listeners, J. Acoust. Soc. Am, vol.87, pp.2188-2200, 1990.

P. Mannerheim, Spatial sound and stereoscopic vision, Proceedings of the 130 th Convention of the Audio Eng, 2011.

R. L. Martin, K. I. Mcanally, R. S. Bolia, G. Eberle, and D. S. Brungart, , 2012.

, Spatial release from speech-on-speech masking in the median sagittal plane, J. Acoust. Soc. Am, vol.131, pp.378-385

F. Melchior, S. Brix, T. Sporer, T. Roder, and B. Klehs, Wave field synthesis in combination with 2D video projection, Proceedings of the 24 th International Conference of the Audio Eng, 2003.

F. Melchior, J. Fischer, and D. Et-de-vries, Audiovisual perception using wave field synthesis in combination with augmented reality systems : Horizontal positioning, Proceedings of the 28 th International Conference of the Audio Eng, 2006.

B. Mendiburu, 3D Movie Making : Stereoscopic Digital Cinema from Script to Screen, 2009.

D. Mershon and L. E. King, Intensity and reverberation as factors in the auditory perception of egocentric distance, Atten. Percept. Psychophys, vol.18, pp.409-415, 1975.

D. H. Mershon and J. N. Bowers, Absolute and relative cues for the auditory perception of egocentric distance, Percept, vol.8, pp.311-322, 1979.

D. H. Mershon, D. H. Desaulniers, T. L. Amerson, and S. A. Kiefer, Visual capture in auditory distance perception : Proximity image effect reconsidered, J. Aud. Res, vol.20, pp.129-136, 1980.

J. C. Middlebrooks, Narrow-band sound localization related exter-nal ears acoustics, J. Acoust. Soc. Am, vol.92, pp.2607-2624, 1992.

J. C. Middlebrooks and D. M. Et-green, Sound localization by human listeners, Annu. Rev. Psychol, vol.42, pp.135-159, 1991.

J. C. Middlebrooks, J. Makous, and D. M. Et-green, Directional sensitivity of sound-pressure levels in the human ear canal, J. Acoust. Soc. Am, vol.86, pp.89-108, 1989.

B. Moore, An introduction to the psychology of hearing, 2012.

S. Moulin, Quel son spatialisé pour la vidéo 3D ? influence d'un rendu Wave Field Synthesis sur l'expérience audio-visuelle 3D, 2015.

S. Moulin, R. Nicol, L. Gros, and P. Et-mamassian, nfluence of the audio rendering on 3D audiovisual experience, Acoustics in Practice, vol.1, pp.29-36, 2013.

S. H. Nielsen, Auditory distance perception in different rooms, J. Audio Eng. Soc, vol.41, pp.755-770, 1993.

J. C. Nunnally and I. H. Bernstein, Psychometric Theory, 1994.

S. Oldfield and S. Parker, Acuity of sound localization : a topography of auditory space. i. normal hearing conditions, Percept, vol.13, pp.581-600, 1984.

D. Perrott and K. Saberi, Minimum audible angle thresholds for sources varying in both elevation and azimuth, J. Acoust. Soc. Am, vol.87, pp.1728-1731, 1990.

H. L. Pick, D. H. Warren, and J. C. Hay, Sensory conflict in judgments of spatial direction, Percept. Psychophys, vol.6, pp.203-205, 1969.

E. C. Poulton, Bias in quantifying judgments, 1992.

R. Preibisch-effenberger, Die schallokalisationsfähigkeit des menschen und ihre audiometrische verwendbarkeit zur klinischen diagnostik (the human faculty of sound localization and its audiometric application to clinical diagnostics). Habilitationsschrift, Medizinische Akademie, 1966.

. Première, Gravity ou le triomphe de la 3D, 2013.

V. Pulkki and M. Et-karjalainen, Localization of amplitude-panned virtual sources i : Stereophonic panning, J. Audio Eng. Soc, vol.49, pp.739-752, 2001.

M. Radeau, Adaptation au déplacement prismatique sur la base d'une discordance entre la vision et l'audition. L'Année Psychologique, vol.74, pp.23-24, 1974.

M. Radeau and P. Et-bertelson, The effect of a textured visual field on modality dominance in a ventriloquism situation, Percept. Psychophys, vol.20, pp.227-235, 1976.

M. Radeau and P. Et-bertelson, Adaptation to auditory-visual discordance and ventriloquism in semirealistic situations, Percept. Psychophys, vol.22, pp.137-146, 1977.

G. H. Recanzone, S. D. Makhamra, and D. C. Et-guard, Comparison of relative and absolute sound localization ability in humans, J. Acoust. Soc. Am, vol.103, pp.1085-1097, 1998.

. , Salles de spectacle cinématographique Confort du Spectateur. Commission Supérieure Technique de l'Image et du Son, 2003.

. , Niveau sonore en salle. Commission Supérieure Technique de l'Image et du Son, 2006.

L. Rohr, E. Corteel, K. V. Nguyen, and H. Lissek, Vertical localization performance in a practical 3-D WFS formulation, J. Audio Eng. Soc, vol.61, pp.1001-1014, 2013.

F. Rumsey, Spatial quality evaluation for reproduced sound : Terminology, meaning, and a scene-based paradigm, J. Audio Eng. Soc, vol.50, pp.651-666, 2002.

M. Rébillat, X. Boutillon, É. Corteel, and B. Katz, Audio, visual, and audiovisual egocentric distance perception by moving subjects in virtual environments, ACM Trans. Appl. Percept, vol.9, p.17, 2012.

M. Rébillat, É. Corteel, and B. Katz, Smart-I2 : Spatial multi-user audio-visual real time interactive interface, Proceedings of the 125th Audio, 2008.

B. U. Seeber and H. Fastl, On auditory-visual interaction in real and virtual environments, Proc. ICA, pp.2293-2296, 2004.

B. G. Shinn-cunningham, Distance cues for virtual auditory space, Proceedings of the IEEE Pacific-Rim Conference on Multimedia, pp.227-230, 2000.

B. G. Shinn-cunningham, N. Kopco, and T. J. Martin, Localizing nearby sound sources in a classroom : Binaural room impulse responses, J. Acoust. Soc. Am, vol.117, pp.3100-3115, 2005.

R. H. Spector, Visual Fields-In : Clinical Methods : The History, Physical, and Laboratory, 1990.

T. Sporer, Wave Field Synthesis-generation and reproduction of natural sound environments, Proceedings of the 7th International Conference on Digital Audio Effects (DAFx-04), 2004.

, AES recommended practice for professional audio-subjective evaluation of loudspeakers, pp.20-1996, 1996.

E. Start, Direct sound enhancement by Wave Field Synthesis, 1997.

R. M. Stern, G. J. Brown, and D. Wang, Binaural sound localization, Computational Auditory Scene Analysis : Principles, Algorithms, and Applications, 2006.

S. S. Stevens, On the psychophysical law, Psychological Review, vol.64, pp.153-181, 1957.

G. W. Stewart, The function of intensity and phase in the binaural location of pure tones, II. Physical Review, vol.15, pp.432-445, 1920.

R. Streicher and F. A. Everest, The new stereo soundbook, Audio Engineering Associates, 2006.

G. Theile, Multichannel natural recording based on psychoacoustic principles, Proceedings of the 108 th Convention of the Audio Eng, 2000.

W. R. Thurlow and C. E. Jack, Certain determinants of the "ventriloquism effect, Percept. Mot. Skills, vol.36, pp.1171-1184, 1973.

F. E. Toole, Sound Reproduction, 2008.

A. Turner, J. Berry, and N. Holliman, Can the perception of depth in stereoscopic images be influenced by 3D sound ?, Proceedings of SPIE 7863, p.786307, 2011.

A. Vatakis and C. Spence, Crossmodal binding : Evaluating the unity assumption using audiovisual speech stimuli, Percept. Psychophys, vol.69, pp.744-756, 2007.

E. Verheijen, Sound reproduction by Wave Field Synthesis, 1998.

P. Vogel, Application of Wave Field Synthesis in room acoustics, 1993.

M. Wallace, G. Roberson, W. Hairston, B. Stein, J. Vaughan et al., Unifying multisensory signals across time and space, Exp. Brain. Res, vol.158, pp.252-258, 2004.

D. H. Warren, Spatial localization under conflict conditions : Is there a single explanation ? Percept, vol.8, pp.323-337, 1979.

D. H. Warren, R. B. Welch, and T. J. Mccarthy, The role of visual-auditory compellingness in the ventriloquism effect : Implications for transitivity among the spatial senses, Percept. Psychophys, vol.30, pp.557-564, 1981.

R. M. Warren, Auditory Perception. A New Analysis and Synthesis, 1999.

T. C. Weerts and W. R. Et-thurlow, The effect of eye position and expectation on sound localization, Percept. Psychophys, vol.9, pp.35-39, 1971.

R. B. Welch, Meaning, attention, and the "unity assumption" in the intersensory bias of spatial and temporal perceptions, Adv. Psychol, vol.129, pp.371-387, 1999.

R. B. Welch and D. H. Warren, Immediate perceptual response to intersensory discrepancy, Psychol. Bull, vol.88, p.638, 1980.

S. Werner, J. Liebetrau, and T. Sporer, Vertical sound source localization influenced by visual stimuli, Signal Process. Res, vol.2, pp.29-38, 2013.

R. Wettschurek, Über unterschiedsschwellen beim richtungshoren in der medianebene, Gemeinschaftstagung für Akustik und Schwingungstechnik, pp.385-388, 1970.

H. Wittek, C. Haut, and D. Keinath, Double M/S-a surround technique put to test. Tonmeistertagung, pp.1-3, 2006.

A. J. Woods, Optimal usage of LCD projectors for polarized stereoscopic projection, 2001.

P. West, Electronic Imaging. International Society for Optics and Photonics, pp.5-7, 2001.

R. S. Woodworth and H. Schlosberg, Experimental psychology, 1962.

P. Zahorik, Estimating sound source distance with and without vision, Optom. Vis. Sci, vol.78, pp.270-275, 2001.

P. Zahorik, Assessing auditory distance perception using virtual acoustics, J. Acoust. Soc. Am, vol.111, pp.1832-1846, 2002.

P. Zahorik, Auditory display of sound source distance, Proceedings of the 8th International Conference on Auditory Displays, pp.326-332, 2002.

P. Zahorik, Auditory and visual distance perception : The proximity-image effect revisited, J. Acoust. Soc. Am, vol.113, pp.2270-2270, 2003.

P. Zahorik, D. S. Brungart, and A. W. Bronkhorst, Auditory distance perception in humans : A summary of past and present research, Acta Acust. united Ac, vol.91, pp.409-420, 2005.

K. Zchaluk and D. H. Foster, Model-free estimation of the psychometric function, Percept. Psychophys, vol.71, pp.1414-1425, 2009.

S. Zielinski, F. Rumsey, and S. Bech, Effects of down-mix algorithms on quality of surround sound, J. Audio Eng. Soc, vol.51, pp.780-798, 2003.

S. Zielinski, F. Rumsey, and S. Bech, On some biases encountered in modern audio quality listening tests-a review, J. Audio Eng. Soc, vol.56, pp.427-451, 2008.