Les écritures de soi dans l'oeuvre de Gregor von Rezzori

Abstract : Having witnessed the major geopolitical events of the first half of the 20th century (the fall of the Habsburg Empire, the Second World War, the Anschluss and the Nuremberg Trials), Rezzori explores the outlines of his own identity through his autobiographical writing. He aims to investigate the conditions that are necessary for asserting an individual voice in a reality characterised by a process of dislocation and disintegration, in which the subject is faced with its own decentralisation and deterritorialisation. Far from wallowing in pessimism, Rezzori confronts the crevices of his self in his autobiographical writing, while at the same time questioning the methods of such writing. In order to embrace the element of negativity that his self comprises, the author bases his autobiographical writing, in both its hypothetical and referential forms, on a unique memorial strategy: that of Epochenverschleppung. This places Rezzori in an anachronistic position without cutting him off from the present as it challenges him to examine past losses critically in the light of the present. By exploring the fissures in his identity in a renewed autobiographical space, Rezzori leaves his own imprint and thereby counteracts the obliterating power of History.
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Marie Lehmann. Les écritures de soi dans l'oeuvre de Gregor von Rezzori. Littératures. Université de la Sorbonne nouvelle - Paris III, 2011. Français. ⟨NNT : 2011PA030168⟩. ⟨tel-01334870⟩



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