La dualité ' interieur-exterieur ' dans le travail de l'acteur a la lumière de la psychologie phénoménologique de Jean-Paul Sartre

Abstract : This research deals with the question of the interior-exterior duality as found in theories about the actor’s work. First of all, we noticed, in an empirical way, that the use of this duality does not allow to make clear the actor’s work. Then, we looked for the presence of this duality – and its consequences – in theatrical theories; we also searched for the benefit – or not – of transcending this notion in theories of acting. The first part of this dissertation is devoted to a study of this duality in the theoretical fundamentals of playwrights-teachers of the early 20th century: Stanislavsky, Copeau and Jouvet. In the second part we analyze the critics addressed to this duality by Meyerhold and Brecht. Basically, these playwrights stressed that internalization of the actor’s work leads to his psychological disturbance [called “neurasthenia” by Meyerhold], his alienation and, eventually, the death of art. . Once confirmed the need of transcending this questioned duality, we take into account the theories developed by Sartre about personality, emotion, imaginary and imagination in order to clarify in other words the actor’s work, leaving out metaphysics of mind and matter.
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Luciana Cesconetto Fernandes da Silva. La dualité ' interieur-exterieur ' dans le travail de l'acteur a la lumière de la psychologie phénoménologique de Jean-Paul Sartre. Musique, musicologie et arts de la scène. Université de la Sorbonne nouvelle - Paris III, 2010. Français. ⟨NNT : 2010PA030007⟩. ⟨tel-01334733⟩

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