La place du spectateur : représentations théâtrales et théâtralité de la représentation dans le cinéma japonais

Abstract : This thesis proposes a study on the characteristics of the cinematic representation by comparing it to another form of representation with which it shares a similar stage of mise-en-scène: the theatre. Our goal is to understand how the place of the film spectator is determined over time and by the perpetual reconfiguration of the filmic point of view, by analyzing how fiction films reflect an initial spectatorial vantage point in front of theatrical performances or theatrical profilmic forms withinthe filmic reality. In order to make out how the filmic diegesis combines mimetic and narrative acts, the traditional Japanese theatrical practices serve as privileged objects of analysis by virtue of their characteristics: the three-dimensional use of space, the marked partition between modes of enunciation, the “presentational” relationship to theatrical reality, etc. Thus, the exploration of a wide range of examples of theatrical performances in Japanese fiction films allow us to identify how theviewpoint of the extra-filmic spectator, sometimes delegated to the one of a diegetic substitute, is determined by the construction of the filmic reality thanks to the combination of staging, framing and editing
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Simon Daniellou. La place du spectateur : représentations théâtrales et théâtralité de la représentation dans le cinéma japonais. Musique, musicologie et arts de la scène. Université Rennes 2, 2015. Français. ⟨NNT : 2015REN20036⟩. ⟨tel-01245448⟩

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