Le design des programmes : des façons de faire du numérique

Abstract : This dissertation questions design through programming practices, showing how they cannot be summed up in program industries which prevent inventions from happening. To this end, it confronts, by a non-linear reading, five periods in the Digital History (since Vannevar Bush in 1945, including a new unpublished translation available as an appendix, to the contemporary use of the website GitHub) with four concepts extracted from a philosophical corpus. The choice of author who have not directly dedicated their writings to Design (such as Jacques Derrida, Hannah Arendt and Walter Benjamin) can deconstruct a number of discourses regarding the arrival of so-called new technologies. After redefining concept and project in design practices and project, and then supported by Gilbert Simondon, this dissertation focuses on what is not predictable in programs. It defends five lines or directions for researches in the relevant field: decentralize, certify, kit or translate and dislocate. The plausibility of these ways to make digital, still in draft form in contemporary productions, may interest designers beyond specialists. A demonstration is made at the end of the dissertation with the description of curatorial fiction.
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Anthony Masure. Le design des programmes : des façons de faire du numérique. Art et histoire de l'art. Université Panthéon-Sorbonne - Paris I, 2014. Français. ⟨NNT : 2014PA010554⟩. ⟨tel-01236258⟩

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