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Du texte à la scène : les migrations de l'image dans le théâtre d'Olivier PY

Abstract : "There is no image to the theater. it is the invisible which comes in the image and the unspeakable which comes in the world". Her is how Olivier Py, defines the theater, the text and the representation. The study of the image in the theater of Olivier Py is the reflection on the evolution of the contemporary dramatic text and on the process of exercise of the look of a spectator who is in the crossroads of the various traditional and modern esthetics. The migration of the image of the text in the podium raises the question which upsets all the process of the theatrical creation, as well on the theoretical plan that has a practice.The written poem is not any more only a coherent organization of accomplished actions but, also, the space where the writing allows the transport of the logos to the opsis. The scene becomes, hence, the dialectical space of the sharing of the sensitive between actor and spectator, stage and room, real and virtual, visible and invisible...Concisely, the theater of Olivier Py is the universe of the effigies which show themselves in real presence, "as in a state of grace", but which, speedly, become fleeting, figures, enactments, as spectres which get away.
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Heykel Mani. Du texte à la scène : les migrations de l'image dans le théâtre d'Olivier PY. Musique, musicologie et arts de la scène. Université Paul Valéry - Montpellier III, 2014. Français. ⟨NNT : 2014MON30085⟩. ⟨tel-01206494⟩

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