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ZEBDA, TACTIKOLECTIF, ORIGINES CONTROLEES : la musique au service de l'action sociale et politique à Toulouse

Abstract : Zebda, a musical group from Toulouse, appeared during the 1980s. Closely linked to a local voluntaryorganisation, it includes French citizens of foreign descent, whose families migrated to the Midi-Pyrénées region from the Maghreb, but also from Italy and Spain. Zebda became famous in the 1990sas a “mixed band” playing “hybrid” music. This dissertation begins by analysing the conditions inwhich the band emerged and its relationships with the movement of the Marches pour l’égalité in the1980s, and with a militant organisation that will eventually become Tactikollectif in the 1990s. Then itshows that Zebda can be defined as a “musical tool”, which allows answering the question: How doesZebda’s music question the foundations of French society? That is, conceptions of citizenship andconditions for living together in harmony.
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Armelle Gaulier. ZEBDA, TACTIKOLECTIF, ORIGINES CONTROLEES : la musique au service de l'action sociale et politique à Toulouse. Science politique. Université de Bordeaux, 2014. Français. ⟨NNT : 2014BORD0217⟩. ⟨tel-01139950⟩

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