Le mélange de la réalité et de la fiction dans trois romans de Marguerite Andersen : De mémoire de femme, Parallèles et Le figuier sur le toit

Abstract : In this work, we focused on three works of Marguerite Andersen, which are written around a theme : the mixture of reality and fiction. Therefore, the aim of this thesis is based on a study of autofictional which is closely related to the investigation of character identity. All of these exactly refer to the author's motivation : on the one hand, by sharing her personal stories with the person who also lives in a multicultural context, in such a way that her writing is considered a pedagogy. On the other hand, as a female writer, she could be more able to understand women's struggle and help them to rebuild a brighter future in society more objectively. Thus, the first part of this thesis is devoted to construct a consistent identity among the character, the narrator, the author; the second part analyzes the writing in terms of time and space; and the third is composed of three chapters, which elaborate narrative heterogeneity among three works respectively. Based on the analysis of narrative modality exploited by the author in each work, in the conclusion part, we draw from three works a common which leads to a reflection about constant theme and the writing skills explored by the author in other works£»meanwhile, it highlights the contribution of andersenienne in regards to women's writing and Francophone literature.
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Qi Feng. Le mélange de la réalité et de la fiction dans trois romans de Marguerite Andersen : De mémoire de femme, Parallèles et Le figuier sur le toit. Linguistique. Université de Limoges, 2014. Français. ⟨NNT : 2014LIMO0030⟩. ⟨tel-01136477⟩

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