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Theses

Analyse sémiologique du Vide dans le minhwa (peinture populaire coréenne) : le thème ‘montagne-eau’

Abstract : The purpose of this thesis is to provide a semiological analysis of Void in the pictural space of Minhwa, a Korean folk art genre, most particularly in the landscape paintings with the theme of the 'mountain-water' from the 18th to the 20th century in the Chosŏn era. We study this notion, which has proceeded from traditional philosophies such as Taoism, Buddhism or Confucianism for example, examining it as one of the fundamental principles of both Korean painting and Korean culture. Nowadays Minhwa has become a genre acknowledged for its intrinsic artistic value: the pictural space of Minhwa is a true experimentation field for innovating and popular style founded on traditional elements imposed on by esthetic philosophy: the theme, the scope of the notion of Emptiness, for instance. Thus we have focused on the roles of unpainted space in order to study the ways of the notion of Void specific to Minhwa genre. The hypothesis of this analysis is that the notion of Void visible as an unpainted place is meaningful in so far as it plays some significant roles within the space created by painting. The study of this unpainted space as well as other pictorial expressions requires to produce an analytic grid based upon seven criteria: it relies on traditional philosophical notions such as the one found in Taoism, the “Way”, or the notion of contemporary esthetic philosophy, the “Fifth dimension” (Cheng), the “Entre-deux” (Buci-Glucksman) and or the notion coming from the theoretical analysis of space, “Trajector / Landmark” (Vandeloise) so as to be able to encompass their roles and their meanings within our corpus.
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https://tel.archives-ouvertes.fr/tel-01124298
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Submitted on : Friday, March 6, 2015 - 6:48:47 AM
Last modification on : Tuesday, May 10, 2022 - 4:00:15 PM
Long-term archiving on: : Sunday, June 7, 2015 - 3:46:37 PM

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2013PA05H018.pdf
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  • HAL Id : tel-01124298, version 1

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Min-Ji Cho. Analyse sémiologique du Vide dans le minhwa (peinture populaire coréenne) : le thème ‘montagne-eau’. Linguistique. Université René Descartes - Paris V, 2013. Français. ⟨NNT : 2013PA05H018⟩. ⟨tel-01124298⟩

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