C. Agon, J. Bresson, and G. Assayag, The OM composers, Collection Musique/Sciences, vol.12, 2006.

A. Alpern, Techniques for Algorithmic Composition of Music, 1995.

S. Amitani and K. Hori, Supporting musical composition by externalizing the composer's mental space, Proceedings of the fourth conference on Creativity & cognition , C&C '02, pp.165-172, 2002.
DOI : 10.1145/581710.581735

B. Andrews, How Composers Compose: In Search of the Questions, Research and Issues in Music Education, 2004.

G. Assayag, Computer Assisted Composition Today, 1st symposium on music and computers, 1998.

G. Assayag, C. Rueda, M. Laurson, C. Agon, and O. Delerue, Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic, Computer Music Journal, vol.23, issue.3, pp.59-72, 1999.
DOI : 10.2307/3679811

O. Bau and W. E. Mackay, OctoPocus, Proceedings of the 21st annual ACM symposium on User interface software and technology, UIST '08, pp.37-46, 2008.
DOI : 10.1145/1449715.1449724

S. Bennett, The Process of Musical Creation: Interviews with Eight Composers, Journal of Research in Music Education, vol.24, issue.1, pp.3-13, 1976.
DOI : 10.2307/3345061

D. Birnbaum, R. Fiebrink, J. Malloch, and M. M. Wanderley, Towards a dimension space for musical devices, Proceedings of the International Conference on New Interfaces for Musical Expression NIME'05, pp.192-195, 2005.

J. T. Bosseur, R. Tünnermann, H. , and T. , Du Son au Signe Histoire de la notation musicale Auditory augmentation, Alternative. International Journal of Ambient Computing and Intelligence (IJACI), vol.2, issue.2, pp.27-41, 2005.

J. Bresson and C. Agon, Musical Representation of Sound in Computer-Aided Composition: A Visual Programming Framework, Journal of New Music Research, vol.21, issue.4, p.251, 2007.
DOI : 10.2307/3680913

URL : https://hal.archives-ouvertes.fr/hal-00683475

J. Bresson and C. Agon, Scores, Programs, and Time Representation: The Sheet Object in OpenMusic, Computer Music Journal, vol.20, issue.1, pp.32-431, 2008.
DOI : 10.1162/comj.2006.30.4.67

J. Bresson and J. Giavitto, A reactive extension of the OpenMusic visual programming language, Journal of Visual Languages & Computing, vol.25, issue.4, 2014.
DOI : 10.1016/j.jvlc.2014.03.003

URL : https://hal.archives-ouvertes.fr/hal-00965747

W. Buxton, A composer's introduction to computer music???, Interface, vol.1, issue.2, pp.57-71, 1977.
DOI : 10.1080/09298217708570233

J. Cage, Silence: Lectures and Writings, 1961.

G. Carpentier and J. Bresson, Interacting with Symbol, Sound, and Feature Spaces in Orchid??e, a Computer-Aided Orchestration Environment, Computer Music Journal, vol.34, issue.1, pp.10-27, 2010.
DOI : 10.1017/S1355771805000932

J. Chouvel, Traversée du vent et de la lumière. Six remarques pour une phénoménologie de la création musicale, IRCAM, editor, séminaire Entretemps, 2009.

J. Chouvel, Analyser l'harmonie ? aux fronti??res de la tonalit??, Musurgia, vol.XVIII, issue.1, 2011.
DOI : 10.3917/musur.111.0065

D. Collins, Getting there': Do we need to study how people compose music? Journal of Music, Technology and Education, vol.4, issue.2, pp.173-179, 2012.

T. D. Cook and D. T. Campbell, Quasi-experimentation: design & analysis issues for field settings, Houghton Mifflin, 1979.

J. Corbin and A. C. Strauss, Basics of Qualitative Research: Techniques and Procedures for Developing Grounded Theory, 2008.
DOI : 10.4135/9781452230153

T. Coughlan and P. Johnson, Interaction in creative tasks, Proceedings of the SIGCHI conference on Human Factors in computing systems , CHI '06, pp.531-540, 2006.
DOI : 10.1145/1124772.1124854

G. W. Fitzmaurice, H. Ishii, and W. A. Buxton, Bricks, Proceedings of the SIGCHI conference on Human factors in computing systems, CHI '95, pp.442-449, 1995.
DOI : 10.1145/223904.223964

J. C. Flanagan, The critical incident technique., Psychological Bulletin, vol.51, issue.4, 1954.
DOI : 10.1037/h0061470

A. Fornés, J. Lladós, and G. Sánchez, Primitive Segmentation in Old Handwritten Music Scores, Graphics Recognition. Ten Years Review and Future Perspectives, pp.279-290, 2006.
DOI : 10.1007/11767978_25

A. Forsberg, M. Dieterich, and R. Zeleznik, The music notepad, Proceedings of the 11th annual ACM symposium on User interface software and technology , UIST '98, pp.203-210, 1998.
DOI : 10.1145/288392.288608

S. Gelineck and S. Serafin, From Idea to Realization -Understanding the Compositional Processes of Electronic Musicians, Proceedings of the 2009 Audio Mostly Conference, p.12, 2009.

S. Gelineck and S. Serafin, Longitudinal Evaluation of the Integration of Digital Musical Instruments into Existing Compositional Work Processes, Journal of New Music Research, vol.41, issue.3, pp.259-276, 2012.
DOI : 10.3758/BF03196322

J. Greenbaum and M. Kyng, Design at Work: Cooperative Design of Computer Systems, 1992.

D. Grout and C. Palisca, A history of Western music, 1996.

F. Guimbretière, Paper augmented digital documents, Proceedings of the 16th annual ACM symposium on User interface software and technology , UIST '03, pp.51-60, 2003.
DOI : 10.1145/964696.964702

M. Hadjieleftheriou, E. Hoel, and V. J. Tsotras, SaIL: A Spatial Index Library for Efficient Application Integration, GeoInformatica, vol.16, issue.2, pp.367-389, 2005.
DOI : 10.1007/s10707-005-4577-6

C. D. Hamel, The British Library Guide to Manuscript Illumination: History and Techniques, 2001.

P. G. Healey, . Jean-baptiste-thiebaut, and J. Thiebaut, Sketching Musical Compositions, Proceedings of the Cognitive Science Society conference, CogSci '07, pp.1079-1084, 2007.

F. Heinrichs, J. Steimle, D. Schreiber, and M. Mühlhäuser, Letras, Proceedings of the 2nd ACM SIGCHI symposium on Engineering interactive computing systems, EICS '10, pp.193-198, 2010.
DOI : 10.1145/1822018.1822048

T. Hewett, M. Czerwinski, and M. Terry, Creativity support tool evaluation methods and metrics, Creativity Support . . . . (Cited, vol.17, p.16, 2005.

L. A. Hiller and L. M. Isaacson, Experimental Music; Composition with an Electronic Computer, 1979.

K. Hinckley, G. Ramos, F. Guimbretiere, P. Baudisch, and M. Smith, Stitching, Proceedings of the working conference on Advanced visual interfaces , AVI '04, 2004.
DOI : 10.1145/989863.989866

K. Hinckley, K. Yatani, M. Pahud, N. Coddington, J. Rodenhouse et al., Pen + touch = new tools, Proceedings of the 23nd annual ACM symposium on User interface software and technology, UIST '10, p.27, 2010.
DOI : 10.1145/1866029.1866036

S. Holland, Learning with Harmony Space: an overview, Music Education: An Artificial Intelligence Perspective, pp.24-40, 1994.

C. Hurter, R. Lesbordes, C. Letondal, J. Vinot, C. et al., Strip'TIC, Proceedings of the International Working Conference on Advanced Visual Interfaces, AVI '12, p.225, 2012.
DOI : 10.1145/2254556.2254598

URL : https://hal.archives-ouvertes.fr/hal-01086464

H. Hutchinson, W. E. Mackay, B. Westerlund, B. B. Bederson, A. Druin et al., Technology probes, Proceedings of the conference on Human factors in computing systems , CHI '03, pp.17-24, 2003.
DOI : 10.1145/642611.642616

M. Kundera, The Art of the Novel, HarperCollins, 2003.

B. Lahey, A. Girouard, W. Burleson, and R. Vertegaal, Paper- Phone: understanding the use of bend gestures in mobile devices with flexible electronic paper displays, Proceedings of the 2011 annual conference on Human factors in computing systems -CHI '11, p.1303, 2011.

O. Laske, Composition Theory in Koenig's Project One and Project Two, Computer Music Journal, vol.5, issue.4, 1981.
DOI : 10.2307/3679506

M. Laurson and M. Kuuskankare, Expressive Notation Package, Computer Music Journal, vol.30, issue.4, pp.67-79, 2006.

M. Laurson, M. Kuuskankare, and V. Norilo, An Overview of PWGL, a Visual Programming Environment for Music, Computer Music Journal, vol.7, issue.4, pp.19-31, 2009.
DOI : 10.2307/3680913

K. C. Lee, S. Phon-amnuaisuk, and C. Y. Ting, A comparison of HMM, Naïve Bayesian, and Markov model in exploiting knowledge content in digital ink: A case study on handwritten music notation recognition, 2010 IEEE International Conference on Multimedia and Expo, pp.292-297, 2010.

P. Leroux, ???To Phrase the World: Continuity, Gesture and Energy in the Musical Work, Circuit: Musiques contemporaines, pp.29-48, 2011.
DOI : 10.7202/1005271ar

C. Letondal, C. Hurter, R. Lesbordes, J. Vinot, C. et al., Flights in my hands, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, CHI '13, p.2175, 2013.
DOI : 10.1145/2470654.2481300

URL : https://hal.archives-ouvertes.fr/hal-00876550

C. Letondal and W. E. Mackay, The Paperoles Project: An analysis of paper use by music composers, Proceedings of CoPADD, 2007.
URL : https://hal.archives-ouvertes.fr/hal-01299646

C. Letondal, W. E. Mackay, and N. Donin, Paperoles et musique, Proceedings of the 19th International Conference of the Association Francophone d'Interaction Homme-Machine on, IHM '07, pp.167-174, 2007.
DOI : 10.1145/1541436.1541469

URL : https://hal.archives-ouvertes.fr/hal-01106308

C. Liao, F. Guimbretière, K. Hinckley, and J. Hollan, Papiercraft, ACM Transactions on Computer-Human Interaction, vol.14, issue.4, pp.1-27, 2008.
DOI : 10.1145/1314683.1314686

C. Liao, F. Guimbretière, and C. E. Loeckenhoff, Pen-top feedback for paper-based interfaces, Proceedings of the 19th annual ACM symposium on User interface software and technology, UIST '06, pp.201-210, 2006.
DOI : 10.1145/1166253.1166285

H. Lohner, The UPIC System: A User's Report, Computer Music Journal, vol.10, issue.4, p.15, 1986.
DOI : 10.2307/3680095

W. Mackay, Structured Observation to Support Interaction Design, p.6, 2014.

W. E. Mackay, Users and Customizable Software: A Co-Adaptive Phenomenon, Massachusetts Institute of Technology, 1990.

W. E. Mackay, Augmented reality, Proceedings of the working conference on Advanced visual interfaces , AVI '98, pp.13-21, 1998.
DOI : 10.1145/948496.948498

URL : https://hal.archives-ouvertes.fr/hal-00663974

W. E. Mackay, Is paper safer? The role of paper flight strips in air traffic control, ACM Transactions on Computer-Human Interaction, vol.6, issue.4, pp.311-340, 1999.
DOI : 10.1145/331490.331491

W. E. Mackay, Using video to support interaction design, DVD Tutorial, CHI, 2002.

W. E. Mackay and A. Fayard, HCI, natural science and design, Proceedings of the conference on Designing interactive systems processes, practices, methods, and techniques, DIS '97, pp.223-234, 1997.
DOI : 10.1145/263552.263612

W. E. Mackay, A. Fayard, L. Frobert, and L. Médini, Reinventing the familiar, Proceedings of the SIGCHI conference on Human factors in computing systems, CHI '98, pp.558-565, 1998.
DOI : 10.1145/274644.274719

W. E. Mackay and D. Pagani, Video mosaic, Proceedings of the second ACM international conference on Multimedia , MULTIMEDIA '94, pp.165-172, 1994.
DOI : 10.1145/192593.192646

W. E. Mackay, G. Pothier, C. Letondal, K. Böegh, and H. E. Sörensen, The missing link, Proceedings of the 15th annual ACM symposium on User interface software and technology , UIST '02, pp.41-50, 2002.
DOI : 10.1145/571985.571992

URL : https://hal.archives-ouvertes.fr/hal-01290960

W. E. Mackay, A. V. Ratzer, and P. Janecek, Video artifacts for design, Proceedings of the conference on Designing interactive systems processes, practices, methods, and techniques, DIS '00, pp.72-82, 2000.
DOI : 10.1145/347642.347666

T. Magnusson and E. H. Mendieta, The acoustic, the digital and the body, Proceedings of the 7th international conference on New interfaces for musical expression, NIME '07, pp.94-99, 2007.
DOI : 10.1145/1279740.1279757

B. Neiman, M. D. Gross, and E. Y. Do, Sketches and their functions in early design. A retrospective analysis of a pavilion house, Knowledge-Based Systems. (Cited on, p.47, 1999.

M. C. Norrie, B. Signer, and N. Weibel, General framework for the rapid development of interactive paper applications, Proc. CoPADD, pp.9-12, 2006.

S. Olberding and J. Steimle, Towards Understanding Erasingbased Interactions: Adding Erasing Capabilities to Anoto Pens, Proceedings of Paper Computing, 2010.

D. R. Olsen, Interacting in chaos. interactions, pp.42-54, 1999.

N. Orio, N. Schnell, and M. Wanderley, Input devices for musical expression: borrowing tools from HCI, Proceedings of the 2001 International Conference on New Interfaces for Musical Expression NIME '01, 2001.

S. Oviatt, A. Cohen, A. Miller, K. Hodge, and A. Mann, The impact of interface affordances on human ideation, problem solving, and inferential reasoning, ACM Transactions on Computer-Human Interaction, vol.19, issue.3, pp.1-30, 2012.
DOI : 10.1145/2362364.2362370

P. Leroux, The Model of the Model in VOI(REX), The OM Composers' Book - Ircam-Centre Pompidou / Editions Delatour, 2008.

B. W. Pennycook, Computer-music interfaces: a survey, ACM Computing Surveys, vol.17, issue.2, pp.267-289, 1985.
DOI : 10.1145/4468.4470

D. Politis, I. Stamelos, and D. Margounakis, Computer Music Interface Evaluation. Encyclopedia of Information Science and Technology, 2009.
DOI : 10.4018/978-1-60566-026-4.ch106

M. Puckette, Combining Event and Signal Processing in the MAX Graphical Programming Environment, Computer Music Journal, vol.15, issue.3, 1991.
DOI : 10.2307/3680767

G. Read, Music notation: a manual of modern practice, 1979.

M. Resnick, B. Myers, K. Nakakoji, B. Schneiderman, R. Pausch et al., Design Principles for Tools to Support Creative Thinking, International Journal of Human-Computer Interaction, vol.20, issue.48, p.16, 2006.

C. Roads, The Computer Music Tutorial, 1996.

D. Rubine, Specifying gestures by example, ACM SIGGRAPH Computer Graphics, vol.25, issue.4, pp.329-337, 1991.
DOI : 10.1145/127719.122753

URL : http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.620.3598

D. Schuler and A. Namioka, Participatory design: Principles and practices, CRC, 1993.

D. Schwarz, G. G. Beller, B. Verbrugghe, S. Britton, and O. , Real-time corpus-based concatenative synthesis with catart, Proceedings of the COST-G6 Conference on Digital Audio Effects (DAFx), pp.279-282, 2006.
DOI : 10.1109/msp.2007.323274

URL : https://hal.archives-ouvertes.fr/hal-01161358

T. Selker, Fostering motivation and creativity for computer users, International Journal of Human-Computer Studies, vol.63, issue.4-5, pp.410-421, 2005.
DOI : 10.1016/j.ijhcs.2005.04.005

A. J. Sellen, R. H. Harper, and . Usa, The Myth of the Paperless Office, p.47, 2003.

B. Shneiderman, Creating creativity: user interfaces for supporting innovation, ACM Transactions on Computer-Human Interaction, vol.7, issue.1, pp.114-138, 2000.
DOI : 10.1145/344949.345077

B. Shneiderman, Leonardo's laptop, Proceedings of the 14th ACM international conference on Information and knowledge management , CIKM '05, 2003.
DOI : 10.1145/1099554.1099555

B. Shneiderman, G. Fischer, M. Czerwinski, M. Resnick, B. Myers et al., Creativity Support Tools: Report From a U.S. National Science Foundation Sponsored Workshop, International Journal of Human-Computer Interaction, vol.17, issue.2, pp.61-77, 2006.
DOI : 10.1016/j.ijhcs.2005.04.023

B. Signer, U. Kurmann, N. , and M. .. , iGesture: a general gesture recognition framework. Document Analysis and, 2007.

B. Signer, M. C. Norrie, H. Benko, F. Guimbretiere, S. Izadi et al., PaperPoint, Proceedings of the 1st international conference on Tangible and embedded interaction , TEI '07, pp.57-64, 2007.
DOI : 10.1145/1226969.1226981

H. Song, T. Grossman, G. W. Fitzmaurice, F. Guimbretière, A. Khan et al., PenLight, Proceedings of the 27th international conference on Human factors in computing systems, CHI 09, pp.143-152, 2009.
DOI : 10.1145/1518701.1518726

H. Song, F. Guimbretière, and H. Lipson, The ModelCraft framework, ACM Transactions on Computer-Human Interaction, vol.16, issue.3, p.14, 2009.
DOI : 10.1145/1592440.1592443

J. Steimle, Designing pen-and-paper user interfaces for interaction with documents, Proceedings of the 3rd International Conference on Tangible and Embedded Interaction, TEI '09, pp.197-204, 2009.
DOI : 10.1145/1517664.1517707

J. Steimle, Pen-and-Paper User Interfaces. Human-Computer Interaction Series, 2012.
DOI : 10.1007/978-3-642-20276-6

L. J. Stifelman, Augmenting real-world objects, Conference companion on Human factors in computing systems common ground, CHI '96, pp.199-200, 1996.
DOI : 10.1145/257089.257279

P. D. Stokes, Creativity from Constraints: The Psychology of Breakthrough, 2005.

I. Stravinsky, Poetics of Music in the Form of Six Lessons, 1970.

M. Stroppa, Un orchestre synthétique : remarques sur une notation personelle. Le Timbre Métaphore pour la Composition, 1991.

I. Xenakis, Formalized Music: Thought and Mathematics in Composition, Pendragon, 1992.

R. Yeh, C. Liao, S. Klemmer, F. Guimbretière, B. Lee et al., ButterflyNet, Proceedings of the SIGCHI conference on Human Factors in computing systems , CHI '06, p.571, 2006.
DOI : 10.1145/1124772.1124859

R. B. Yeh, Designing Interactions that Combine Pen, Paper, and Computer, 2007.

R. B. Yeh, A. Paepcke, and S. R. Klemmer, Iterative design and evaluation of an event architecture for pen-and-paper interfaces, Proceedings of the 21st annual ACM symposium on User interface software and technology, UIST '08, p.24, 2008.
DOI : 10.1145/1449715.1449734

M. Zadel and G. Scavone, Different strokes: a prototype software system for laptop performance and improvisation, Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). (Cited on page 15, 2006.

M. Zadel, S. Sinclair, and M. M. Wanderley, Haptic Feedback for Different Strokes Using DIMPLE, Proceedings of the International Computer Music Conference (ICMC). (Cited on page 128, 2009.

J. Garcia, P. Leroux, and . Bresson, pOM: Linking Pen Gestures to Computer-Aided Composition Processes, 2014.
URL : https://hal.archives-ouvertes.fr/hal-01053295

J. Garcia, T. Tsandilas, C. Agon, and W. Mackay, Structured observation with polyphony, Proceedings of the 2014 conference on Designing interactive systems, DIS '14, 2014.
DOI : 10.1145/2598510.2598512

URL : https://hal.archives-ouvertes.fr/hal-00988725

L. Bigo, J. Garcia, A. Spicher, and W. E. Mackay, PaperTonnetz: Music Composition with Interactive Paper Tonnetz, Proceedings of the 9th Sound and Music Computing Conference. SMC'12, pp.219-225, 2012.

J. Garcia, T. Tsandilas, C. Agon, and W. Mackay, Interactive paper substrates to support musical creation, Proceedings of the 2012 ACM annual conference on Human Factors in Computing Systems, CHI '12, pp.1825-1828, 2012.
DOI : 10.1145/2207676.2208316

URL : https://hal.archives-ouvertes.fr/hal-00664334

J. Garcia, T. Tsandilas, C. Agon, and W. Mackay, InkSplorer: Exploring Musical Ideas on Paper and Computer, Proceedings of the 2011 International Conference on New Interfaces for Musical Expression NIME2011, pp.361-366, 2011.
URL : https://hal.archives-ouvertes.fr/inria-00600083

J. Garcia and T. Tsandilas, Inksplorer: vers le papier interactif pour la composition musicale, Proceedings of the Journée d'Informatique Musicale. JIM'11, 2011.

R. Cohn, Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations, Journal of Music Theory, vol.41, issue.1, pp.1-66, 1997.
DOI : 10.2307/843761

S. Holland, Learning with harmony space: an overview, Music Education: An Artificial Intelligence Perspective, pp.24-40, 1994.

T. Bergstrom, K. Karahalios, and J. Hart, Isochords, Proceedings of Graphics Interface 2007 on , GI '07, pp.297-304, 2007.
DOI : 10.1145/1268517.1268565

J. Chouvel, Traversée du vent et de la lumì ere. six remarques pour une phénoménologie de la création musicale

S. Maupin, D. Gerhard, and B. Park, Isomorphic tessellations for musical keyboards, Proceedings of Sound and Music Computing Conference, pp.471-478, 2011.

J. Garcia, T. Tsandilas, C. Agon, and W. Mackay, Inksplorer: Exploring musical ideas on paper and computer, Proceedings of New Interfaces for Musical Expression, 2011.
URL : https://hal.archives-ouvertes.fr/inria-00600083

C. Agon, OpenMusic : Un langage visuel pour la composition musicale assistee par ordinateur, 1998.

W. Buxton, W. Reeves, R. Baecker, and L. Mezei, The Use of Hierarchy and Instance in a Data Structure for Computer Music, Computer Music Journal, vol.2, issue.4, pp.10-20, 1978.
DOI : 10.2307/3680369

J. Thiebaut, P. Healey, N. Kinns, and Q. Mary, Drawing electroacoustic music, Proceedings of Internationnal Computer Music Conference, 2008.

C. Letondal, W. Mackay, and N. Donin, Paperoles et musique, Proceedings of the 19th International Conference of the Association Francophone d'Interaction Homme-Machine on, IHM '07, pp.167-174, 2007.
DOI : 10.1145/1541436.1541469

URL : https://hal.archives-ouvertes.fr/hal-01106308

A. Sellen and R. Harper, The myth of the paperless office, 2003.

P. Costa-cunha and W. Mackay, Augmented paper and anoto stylus, " in Proceedings of the 15th Frenchspeaking conference on human-computer interaction on 15eme Conference Francophone sur l'Interaction Homme-Machine, ser, pp.232-235, 2003.

J. Giavitto and O. Michel, Declarative definition of group indexed data structures and approximation of their domains, Proceedings of the 3rd ACM SIGPLAN international conference on Principles and practice of declarative programming , PPDP '01, pp.150-161, 2001.
DOI : 10.1145/773184.773201

L. Bigo, J. Giavitto, and A. Spicher, Building Topological Spaces for Musical Objects, Mathematics and Computation in Music, pp.13-28, 2011.
DOI : 10.1007/978-3-642-21590-2_2

URL : https://hal.archives-ouvertes.fr/hal-01161290

J. Chouvel, Analyser l'harmonie -auxfrontì eres de la tonalité

A. Prechtl, A. Milne, S. Holland, R. Laney, and D. Sharp, A MIDI Sequencer That Widens Access to the Compositional Possibilities of Novel Tunings, Computer Music Journal, vol.18, issue.1, pp.42-54, 2012.
DOI : 10.1080/07494468900640071